Historical fiction; Russia -- Social conditions -- 1801-1917 -- Fiction
“Yes. Can’t one cut pages with a garden knife?”
“It’s quite new.”
“Well, what of that? Can’t I buy a new knife if I like?” shouted
Rogojin furiously, his irritation growing with every word.
The prince shuddered, and gazed fixedly at Parfen. Suddenly he burst
out laughing.
“Why, what an idea!” he said. “I didn’t mean to ask you any of these
questions; I was thinking of something quite different! But my head is
heavy, and I seem so absent-minded nowadays! Well, good-bye—I can’t
remember what I wanted to say—good-bye!”
“Not that way,” said Rogojin.
“There, I’ve forgotten that too!”
“This way—come along—I’ll show you.”
IV.
They passed through the same rooms which the prince had traversed on
his arrival. In the largest there were pictures on the walls, portraits
and landscapes of little interest. Over the door, however, there was
one of strange and rather striking shape; it was six or seven feet in
length, and not more than a foot in height. It represented the Saviour
just taken from the cross.
The prince glanced at it, but took no further notice. He moved on
hastily, as though anxious to get out of the house. But Rogojin
suddenly stopped underneath the picture.
“My father picked up all these pictures very cheap at auctions, and so
on,” he said; “they are all rubbish, except the one over the door, and
that is valuable. A man offered five hundred roubles for it last week.”
“Yes—that’s a copy of a Holbein,” said the prince, looking at it again,
“and a good copy, too, so far as I am able to judge. I saw the picture
abroad, and could not forget it—what’s the matter?”
Rogojin had dropped the subject of the picture and walked on. Of course
his strange frame of mind was sufficient to account for his conduct;
but, still, it seemed queer to the prince that he should so abruptly
drop a conversation commenced by himself. Rogojin did not take any
notice of his question.
“Lef Nicolaievitch,” said Rogojin, after a pause, during which the two
walked along a little further, “I have long wished to ask you, do you
believe in God?”
“How strangely you speak, and how odd you look!” said the other,
involuntarily.
“I like looking at that picture,” muttered Rogojin, not noticing,
apparently, that the prince had not answered his question.
“That picture! That picture!” cried Muishkin, struck by a sudden idea.
“Why, a man’s faith might be ruined by looking at that picture!”
“So it is!” said Rogojin, unexpectedly. They had now reached the front
door.
The prince stopped.
“How?” he said. “What do you mean? I was half joking, and you took me
up quite seriously! Why do you ask me whether I believe in God?”
“Oh, no particular reason. I meant to ask you before—many people are
unbelievers nowadays, especially Russians, I have been told. You ought
to know—you’ve lived abroad.”
Public-domain text, read in full here on John Shaqi.
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