“Keller is my name, sir; ex-lieutenant,” he said, very loud. “If you will accept me as champion of the fair sex, I am at your disposal. English boxing has no secrets from me. I sympathize with you for the insult you have received, but I can’t permit you to raise your hand against a woman in public. If you prefer to meet me—as would be more fitting to your rank—in some other manner, of course you understand me, captain.” But the young officer had recovered himself, and was no longer listening. At this moment Rogojin appeared, elbowing through the crowd; he took Nastasia’s hand, drew it through his arm, and quickly led her away. He appeared to be terribly excited; he was trembling all over, and was as pale as a corpse. As he carried Nastasia off, he turned and grinned horribly in the officer’s face, and with low malice observed: “Tfu! look what the fellow got! Look at the blood on his cheek! Ha, ha!” Recollecting himself, however, and seeing at a glance the sort of people he had to deal with, the officer turned his back on both his opponents, and courteously, but concealing his face with his handkerchief, approached the prince, who was now rising from the chair into which he had fallen. “Prince Muishkin, I believe? The gentleman to whom I had the honour of being introduced?” “She is mad, insane—I assure you, she is mad,” replied the prince in trembling tones, holding out both his hands mechanically towards the officer. “I cannot boast of any such knowledge, of course, but I wished to know your name.” He bowed and retired without waiting for an answer. Five seconds after the disappearance of the last actor in this scene, the police arrived. The whole episode had not lasted more than a couple of minutes. Some of the spectators had risen from their places, and departed altogether; some merely exchanged their seats for others a little further off; some were delighted with the occurrence, and talked and laughed over it for a long time. In a word, the incident closed as such incidents do, and the band began to play again. The prince walked away after the Epanchin party. Had he thought of looking round to the left after he had been pushed so unceremoniously into the chair, he would have observed Aglaya standing some twenty yards away. She had stayed to watch the scandalous scene in spite of her mother’s and sisters’ anxious cries to her to come away. Prince S. ran up to her and persuaded her, at last, to come home with them. Lizabetha Prokofievna saw that she returned in such a state of agitation that it was doubtful whether she had even heard their calls. But only a couple of minutes later, when they had reached the park, Aglaya suddenly remarked, in her usual calm, indifferent voice: “I wanted to see how the farce would end.” III. The occurrence at the Vauxhall had filled both mother and daughters with something like horror. In their excitement Lizabetha Prokofievna and the girls were nearly running all the way home.