Historical fiction; Russia -- Social conditions -- 1801-1917 -- Fiction
“I think you are wandering a little, prince,” Mrs. Epanchin decided,
after a lengthened survey of his face; and she tossed the portrait on
to the table, haughtily.
Alexandra took it, and Adelaida came up, and both the girls examined
the photograph. Just then Aglaya entered the room.
“What a power!” cried Adelaida suddenly, as she earnestly examined the
portrait over her sister’s shoulder.
“Whom? What power?” asked her mother, crossly.
“Such beauty is real power,” said Adelaida. “With such beauty as that
one might overthrow the world.” She returned to her easel thoughtfully.
Aglaya merely glanced at the portrait—frowned, and put out her
underlip; then went and sat down on the sofa with folded hands. Mrs.
Epanchin rang the bell.
“Ask Gavrila Ardalionovitch to step this way,” said she to the man who
answered.
“Mamma!” cried Alexandra, significantly.
“I shall just say two words to him, that’s all,” said her mother,
silencing all objection by her manner; she was evidently seriously put
out. “You see, prince, it is all secrets with us, just now—all secrets.
It seems to be the etiquette of the house, for some reason or other.
Stupid nonsense, and in a matter which ought to be approached with all
candour and open-heartedness. There is a marriage being talked of, and
I don’t like this marriage—”
“Mamma, what are you saying?” said Alexandra again, hurriedly.
“Well, what, my dear girl? As if you can possibly like it yourself? The
heart is the great thing, and the rest is all rubbish—though one must
have sense as well. Perhaps sense is really the great thing. Don’t
smile like that, Aglaya. I don’t contradict myself. A fool with a heart
and no brains is just as unhappy as a fool with brains and no heart. I
am one and you are the other, and therefore both of us suffer, both of
us are unhappy.”
“Why are you so unhappy, mother?” asked Adelaida, who alone of all the
company seemed to have preserved her good temper and spirits up to now.
“In the first place, because of my carefully brought-up daughters,”
said Mrs. Epanchin, cuttingly; “and as that is the best reason I can
give you we need not bother about any other at present. Enough of
words, now! We shall see how both of you (I don’t count Aglaya) will
manage your business, and whether you, most revered Alexandra Ivanovna,
will be happy with your fine mate.”
“Ah!” she added, as Gania suddenly entered the room, “here’s another
marrying subject. How do you do?” she continued, in response to Gania’s
bow; but she did not invite him to sit down. “You are going to be
married?”
“Married? how—what marriage?” murmured Gania, overwhelmed with
confusion.
“Are you about to take a wife? I ask,—if you prefer that expression.”
“No, no I—I—no!” said Gania, bringing out his lie with a tell-tale
blush of shame. He glanced keenly at Aglaya, who was sitting some way
off, and dropped his eyes immediately.
Public-domain text, read in full here on John Shaqi.
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