The Idler in FranceBlessington, Marguerite, Countess of
History
The Idler in France
Blessington, Marguerite, Countess of
France -- Description and travel; France -- Social life and customs
That an Englishwoman can be witty, or brilliant in conversation, the
French either doubt or profess to doubt; but if convinced against their
will they exclaim, "_C'est drôle, mais madame a l'esprit éminemment
français_." Now this no Englishwoman has, or, in my opinion, can have;
for it is peculiar, half-natural and half-acquired.
Conversation, in France, is an art successfully studied; to excel in
which, not only much natural talent is required, but great fluency and
a happy choice of words are indispensable. No one in Parisian society
speaks ill, and many possess a readiness of wit, and a facility of
turning it to account, that I have never seen exemplified in women of
other countries.
A Frenchwoman talks well on every subject, from those of the most grave
political importance, to the _dernière mode_. Her talent in this art is
daily exercised, and consequently becomes perfected; while an
Englishwoman, with more various and solid attainments, rarely if ever,
arrives at the ease and self-confidence which would enable her to bring
the treasures with which her mind is stored into play. So generally is
the art of conversation cultivated in France, that even those with
abilities that rise not beyond mediocrity can take their parts in it,
not only without exposing the poverty of their intellects, but with
even a show of talent that often imposes on strangers.
An Englishwoman, more concentrated in her feelings as well as in her
pursuits, seldom devotes the time given by Frenchwomen to the
superficial acquisition of a versatility of knowledge, which, though it
enables _them_ to converse fluently on various subjects, _she_ would
dread entering on, unless well versed in. My fair compatriots have
consequently fewer topics, even if they had equal talent, to converse
on; so that the _esprit_ styled, _par excellence, l'esprit éminemment
français_, is precisely that to which we can urge the fewest
pretensions.
This does not, however, dispose me to depreciate a talent, or art, for
art it may be called, that renders society in France not only so
brilliant but so agreeable, and which is attended with the salutary
effect of banishing the ill-natured observations and personal remarks
which too often supply the place of more harmless topics with us.
CHAPTER XV.
Public-domain text, read in full here on John Shaqi.
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