This point struck me forcibly the last time I was present at a wedding. It was a Jewish wedding, celebrated at the little synagogue behind the Haymarket. I had no acquaintance with anyone concerned in the ceremony, but had dropped in quite casually, having heard that Jewish weddings were picturesque. The one thing that impressed me more than anything else was the decided undesirability of both the bridegroom and the bride. That the bride was not comely goes for little. But her forehead indicated a limited range and low ideals; the corners of her mouth spoke of an irritable temper; her bearing was vulgar; her voice had a twang that made one long to take her by the shoulders and shake her violently. She was also escorted by gaudy female relatives, by looking at whom one could anticipate the awful possibilities of her maturity. As for the bridegroom, he was a Hebrew of the florid type. His waistcoat was protuberant; he had a red face with red whiskers sprawling all over it; he wore flash jewellery; his hair shone with pomatum; there was that in his bearing which indicated that he followed some sordid calling, such as pawnbroking, or the backing of horses on commission. Yet one could see that these two unattractive persons were really attracted by each other. A great and beautiful miracle had been performed; and the power which had performed it was that Love in which some profess to disbelieve. * * * * * [Sidenote: Frank Mathew displays his Ignorance.] Ignorance--says some wiseacre--is the mother of eloquence, and I take it that the less one knows of Love the easier it is to write of it. I side with those who hold that the Love described by poets and other wordy people is mainly fanciful, a flattering picture, that the best school for such writing is an unhappy affection, and that no man can want better luck than to have his heart broken, and so be made proof against lovesickness. An unrequited love runs no risk of being dulled by the prose of life. A man so fortunate as to be jilted or rejected finds his Beloved remaining beautiful and young to him when her husband sees her an unwieldy and wearisome old woman. And when at times he grows sentimental--a bachelor's privilege--he can feel again the old hopes that he never found false, and see the old perfections that were never disproved. He has a life-companion who comes only when she is wanted, and then with a "smile on her face and a rose in her hair," whose voice is always gentle, to whom wrinkles are not necessary and bills are not known. [Sidenote: And praises ugliness.]