The shoemaker chuckled and softly stirred the fire. "There is but one
way to kill a spirit," he whispered, looking up at his companion. "Lead
or iron or steel won't do; it wants finer stuff. Silver's the stuff.
You are a man of war, and might bring a regiment against him in vain;
but this little silver bullet, if it can but reach him, will put an
end to his mischief forever. See"--he pulled open a drawer in a little
table and took out an old-fashioned, heavy-barrelled pistol and a
small instrument, shaped almost like a pair of pincers, for moulding
bullets--"I am all prepared. The silver is good, the pistol aims truly.
He shall not trouble her any more."
The captain, glancing at him in perplexity, saw in his eyes a madness
of determination he had not seen in any face before; he understood that
whatever wild thought was in the old man's brain it would be useless to
attempt to combat it. After lingering for some minutes, during which
time the little mass of silver in the bottom of the crucible gradually
increased in bulk, he bade the old man good-night, and went out. As he
looked back from the doorway he saw the wild old figure still bending
over the fire, laughing softly and muttering incoherent things.
CHAPTER XXIX.
COMETHUP LEARNS THE TRUTH.
Quite early in the morning, almost before the gray dawn had come
stealing across the sky, 'Linda left the inn and set out swiftly for
the outer walls of the town. Some of the old glamour of the romantic
personality of the dead man was still upon her, some faint pride in
him still remained. She wanted to see that statue which had been raised
to him, and of which she had caught a glimpse as she drove into the
town on the previous day; she wanted to see it when no one else was
there, to carry away in her memory the thought of him as he stood thus
and looked in all men's eyes, and so perhaps to wipe away the memory of
the poorer, meaner thing she knew him to have been.
A white, heavy mist was blowing across the marshy lands from the sea;
as she came up upon the grass-grown old walls the mists were floating
and flowing about the statue, hiding and showing it by turns. She went
close and looked up at it for a long time.
The sculptor had been happy in striking the characteristic attitude of
the man. The figure stood with one hand lightly planted on the hip and
the other hanging by the side; the head was thrown back and the face,
with the old daring, wilful smile upon it, turned toward the sky. It
was strange to see him there, high above her, on the very spot where
they had wandered and played together as children. She turned away at
last and began slowly to retrace her steps, looking back once or twice
at the silent figure above her.
Public-domain text, read in full here on John Shaqi.
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