Farm life -- Fiction; Love stories; New England -- Fiction
Above all, we had the perpetual incentive of gardening to keep our eyes
toward the future. A true garden, like a life well lived, is forever
becoming, forever in process, forever leading on toward new goals. Life,
indeed, goes hand in hand with your garden, and never a fair thought
but you write it in flowers, never a beautiful picture but you paint
it if you can, and with the striving learn patience, and with the half
accomplishment, the "divine unrest."
Horas Non Numero Nisi Serenas
reads the ancient motto on our dial plate, and as I look back on the
years of Twin Fires' genesis, or forward into the future, the hours
that are not sunny are indeed not marked for me. I am writing now at
a table beneath the pergola. The floor is of brick, laid (somewhat
irregularly) by Stella and me, for we still are poor, as the Eckstroms
would reckon poverty, and none of what Mrs. Deland has called "the
grim inhibitions of wealth" prevents us from doing whatever we can
with our own hands, and finding therein a double satisfaction. Over
my head rustle the thick vines--a wistaria among them, which may or may
not survive another winter.
It is June again. The ghost of Rome in roses is marching across the
lawn beyond the white sundial, and there are arches in perspective
now beneath the level superstructure. The little brick bird bath is
covered with ivy, and last year's self-sown double Emperor Williams
are already blue about it. The lawn is a thick, rich green. To the
west the grape arbour rises above a white bench of real marble, and I
can see dappled shadows beneath the whitish young leaves. I know that
around the pool stately Japanese iris are budding now, great clumps of
them revelling in the moisture they so dearly love, soon to break into
blooms as large as plates, and beyond them is a little lawn, with the
bench our own hands made against a clump of cedars, and on each side a
small statue of marble on a slender chestnut pedestal, carved and painted
to balance the bench.
I know also that a path now wanders up the brook almost to the road,
amid the wild tangle, and ends suddenly in the most unexpected nook
beneath a willow tree, where irises fringe a second tiny pool. I know
that the path still wanders the other way into the pines--pines larger
now and more murmurous of the sea--past beds of ferns and a lone cardinal
flower that will bloom in a shaft of sunlight. Somewhere down that path
my wife is wandering, and she is not alone. A little form (at least
she says it has form!) sleeps beside her, while she sits, perhaps,
with a book or more likely with sewing in her busy fingers, or more
likely still with hands that stray toward the sleeping child and ears
that listen to the sea-shell murmur of the pines whispering secrets
of the future. Is he to be a Napoleon or a Pasteur? No less a genius,
surely, the prophetic pines whisper to the listening mother!
My own pen halts in its progress and the ink dries on the point.
Public-domain text, read in full here on John Shaqi.
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