Ability to learn and remember tunes BY ROTE; the MUSIC instinct and faculty. Adapted to the musical octave. Perversion--excessive fondness for music to the neglect of other things. LARGE.--Loves music dearly; has a nice conception of concord, discord, melody, etc., and enjoys all kinds of music; and with large Imitation, Constructiveness, and Time, can make most kinds, and play well on musical instruments; with large Ideality, imparts a richness and exquisiteness to musical performances; has a fine taste and is tormented by discord, but delighted by concord, and takes a great amount of pleasure in the exercise of this faculty; with large Combativeness and Destructiveness, loves martial music; with large Veneration, sacred music; with large Adhesiveness and Amativeness, social and parlor music; with large Hope, Veneration, and disordered nerves, plaintive, solemn music, etc.: p. 218. VERY LARGE.--Possesses extraordinary musical taste and talent, and is literally transported by good music; and with large Imitation and Constructiveness, fair Time, and a fine temperament, is an exquisite performer; learns tunes by hearing them sung once; sings in spirit and with melting pathos; shows intuitive taste and skill; sings _from_ the soul _to_ the soul: p. 219. FULL.--Has a good musical ear and talent; can learn tunes by rote quite well; and with large Ideality, Imitation, and Firmness, can be a good musician, yet will require practice: p. 220. AVERAGE.--Has fair musical talents, yet, to be a good musician, requires considerable practice; can learn tunes by rote, yet with some difficulty; with large Ideality and Imitation, may be a good singer or player, yet is indebted more to art than nature, shows more taste than skill, and loves music better than can make it: p. 217. MODERATE.--Has no great natural taste or talent for music, yet, aided by notes and practice, may sing and play quite well, but will be rather mechanical; lacks that pathos and feeling which reaches the soul: p. 220. SMALL.--Learns to sing or play tunes with great difficulty, and that mechanically, without emotion or effect: p. 221. VERY SMALL.--Has scarcely any musical idea or feeling, so little as hardly to tell Yankee Doodle from Old Hundred: p. 221. 35. LANGUAGE. [Illustration: No. 95. LARGE.] [Illustration: No. 96. SMALL.] Expression of ideas and feelings by words, written or spoken, gesture, looks, and action; the COMMUNICATIVE faculty and instinct in general. Adapted to man's requisition for holding communication with man. Perverted, it creates garrulity, excessive talkativeness, telling what does harm, etc.