The Illustrious PrinceOppenheim, E. Phillips (Edward Phillips)
General
The Illustrious Prince
Oppenheim, E. Phillips (Edward Phillips)
Detective and mystery stories; Princes -- Fiction
would be at war with his--that way lay slavery! He brushed the very
thought from him.
As he reached the door of his house in St. James’ Square, it opened
slowly before him. He had brought his own servants from his own country,
and in their master’s absence sleep was not for them. His butler spoke
to him in his own language. The Prince nodded and passed on. On his
study table--a curious note of modernism where everything seemed to
belong to a bygone world--was a cablegram. He tore it open. It consisted
of one word only. He let the thin paper fall fluttering from his
fingers. So the time was fixed!
Then Soto came gliding noiselessly into the room, fully dressed, with
tireless eyes but wan face,--Soto, the prototype of his master, the most
perfect secretary and servant evolved through all the years.
“Master,” he said, “there has been trouble here. An Englishman came with
this card.”
The Prince took it, and read the name of Inspector Jacks.
“Well?” he murmured.
“The man asked questions,” Soto continued. “We spoke English so badly
that he was puzzled. He went away, but he will come again.”
The Prince smiled, and laid his hand almost caressingly upon the other’s
shoulder.
“It is of no consequence, Soto,” he said,--“no consequence whatever.”
CHAPTER XIV. AN ENGAGEMENT
“Your rooms, Prince, are wonderful,” Penelope said to him. “I knew
that you were a man of taste, but I did not know that you were also a
millionaire.”
He laughed softly.
“In my country,” he answered, “there are no millionaires. The money
which we have, however, we spend, perhaps a little differently. But,
indeed, none of my treasures here have cost me anything. They have come
to me through more generations than I should care to reckon up. The
bronze idol, for instance, upon my writing case is four hundred years
old, to my certain knowledge, and my tapestries were woven when in this
country your walls went bare.”
“What I admire more than anything,” the Duchess declared, “is your
beautiful violet tone.”
“I am glad,” he answered, “that you like my coloring. Some people have
thought it sombre. To me dark colors indoors are restful.”
“Everything about the whole place is restful,” Penelope said,--“your
servants with their quaint dresses and slippered feet, your thick
carpets, the smell of those strange burning leaves, and, forgive me if I
say so, your closed windows. I suppose in time I should have a headache.
For a little while it is delicious.”
The Prince sighed.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account