The Illustrious PrinceOppenheim, E. Phillips (Edward Phillips)
General
The Illustrious Prince
Oppenheim, E. Phillips (Edward Phillips)
Detective and mystery stories; Princes -- Fiction
“Fresh air is good,” he said, “but the air that comes from your streets
does not seem to me to be fresh, nor do I like the roar of your great
city always in my ears. Here I cut myself off, and I feel that I can
think. Duchess, you must try those preserved fruits. They come to me
from my own land. I think that the secret of preserving them is not
known here. You see, they are packed with rose leaves and lemon plant.
There is a golden fig, Miss Penelope,--the fruit of great knowledge, the
magical fruit, too, they say. Eat that and close your eyes and you can
look back and tell us all the wonders of the past. That is to say,” he
added with a faint smile, “if the magic works.”
“But the magic never does work,” she protested with a little sigh, “and
I am not in the least interested in the past. Tell me something about
the future?”
“Surely that is easier,” he answered. “Over the past we have lost our
control,--what has been must remain to the end of time. The future is
ours to do what we will with.”
“That sounds so reasonable,” the Duchess declared, “and it is so
absolutely false. No one can do what they will with the future. It is
the future which does what it will with us.”
The Prince smiled tolerantly.
“It depends a good deal, does it not,” he said, “upon ourselves? Miss
Penelope is the daughter of a country which is still young, which has
all its future before it, and which, has proclaimed to the world its
fixed intention of controlling its own destinies. She, at any rate,
should have imbibed the national spirit. You are looking at my
curtains,” he added, turning to Penelope. “Let me show you the figures
upon them, and I will tell you the allegory.”
He led her to the window, and explained to her for some moments the
story of the faded images which represented one chapter out of the
mythology of his country. And then she stopped him.
“Always,” she said, “you and I seem to be talking of things that are
dead and past, or of a future which is out of our reach. Isn’t it
possible to speak now and then of the present?”
“Of the actual present?” he asked softly. “Of this very moment?”
“Of this very moment, if you will,” she answered. “Your fairy tale the
other night was wonderful, but it was a long way off.”
The Prince was summoned away somewhat abruptly to bid farewell to a
little stream of departing guests. Today, more than ever, he seemed to
belong, indeed to the world of real and actual things, for a cousin
of his mother’s, a Lady Stretton-Wynne, was helping him receive
his guests--his own aunt, as Penelope told herself more than once,
struggling all the time with a vague incredulity. When he was able to
rejoin her, she was examining a curious little coffer which stood upon
an ivory table.
“Show me the mystery of this lock,” she begged. “I have been trying to
open it ever since you went away. One could imagine that the secrets of
a nation might be hidden here.”
Public-domain text, read in full here on John Shaqi.
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