"You are quite right," he went on, when the other's glass had been
filled again, "Mr. Vane's conduct has been most scandalous of late. You
say he has a mirror?"
All circumspection had long since passed from Nevins. He was simply an
individual with a grievance. The many episodes that, in his filmy mind,
seemed to center about that mirror, shifted and twisted in him to where
they forced utterance. He began to talk, circuitously, wildly, rapidly,
of the many things that rankled in him. He told all he knew, all he had
observed. From out of the mass of inane, not pertinent ramblings,
Moncreith caught a glimmer of the facts.
What a terrible power this must be that was in Orson Vane's possession!
Moncreith shuddered at the thought. Why, the man might turn himself, in
all but externals--and what, after all, was the husk, the shell, the
body?--into the finest wit, the most lovable hero of his time; he might
fare about the world wrecking now this, now that, happiness; he might
win--perhaps he actually had, even now, won Jeannette Vanlief? If he
had, if--perhaps there was yet time! There was need for sharp, desperate
action.
He plunged out of the place and toward Vanthuysen Square. Then he
remembered that he could not get in. He aroused Nevins from his brutish
doze. He dragged him over the intervening space. Nevins gave him the
key, and dropped into one of the hall chairs. Moncreith leaped upstairs,
and entered the room where the mirror stood, white, silent, stately.
He contemplated everything for a time. He conjured up the picture he had
been able to piece together from the rambling monologues of Nevins. He
wondered whether to simply smash in the mirrors--he would destroy them
all, to make sure--by taking a chair-leg to them, or whether he would
carefully pour some acid over them.
The simpler plan appealed most to him. It was the quickest, the most
thorough. He took a little wooden chair that stood by an ebon
escritoire, swung it high in the air and brought it with a shattering
crash upon the face of the Professor's mirror.
But there was more than a mere crash. A deadly, sickening, stifling fume
arose from the space the clinking glass unbared; a flame burst out,
leaped at Moncreith and seized him. The deadly white smoke flowed
through the room; flame followed flame, curtains, hangings, screens
went, one after the other, to feed the ravenous beast that Moncreith's
blow had liberated. The room was presently a seething furnace that
rattled in the cage of the walls and windows. Moncreith lay, choked with
the horrid smoke, on the floor. The flames licked at him again and
again; finally one took him on the tip of its tongue, twisted him about,
and shriveled him to black, charred shapelessness.
The windows fell, finally, out upon the street below. The fire sneaked
downward, laughing and leaping.
When the firemen came to save Orson Vane's house, they found a grinning,
sodden creature in the hall.
Public-domain text, read in full here on John Shaqi.
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