The Immortal; Or, One of the "Forty.": (L'immortel) - 1877Daudet, Alphonse
General
The Immortal; Or, One of the "Forty.": (L'immortel) - 1877
Daudet, Alphonse
Intellectuals -- France -- Fiction; Paris (France) -- Fiction
it, the erratic tilt of the barristers’ caps, the gleam in the eyes and
curl in the corners of the mouths of people giving one another little
anticipatory smiles. There were endless anecdotes current about the
achievements in gallantry of the little humpback who had just been
brought to the prisoner’s box and, lifting his long well-greased head,
cast into the court over the bar the conquering glance of a manifest
ladies’ man. Stories were told of compromising letters, of an account
drawn up by the prisoner mentioning right out the names of two or three
well-known ladies of fashion, the regular names dragged again and again
into every unsavoury case. There was a copy of the production going
the rounds of the seats reserved for the press, a simple conceited
autobiography containing none of the revelations imputed to it by public
rumour. Fage had beguiled the tedium of confinement by writing for the
court the story of his life. He was born, he said, near Vassy (Haute
Marne), as straight as anybody--so they all say--but a fall from a horse
at fifteen had bent and inflected his spine. His taste for gallantry had
developed somewhat late in life when he was working at a bookseller’s in
the Passage des Panoramas. As his deformity interfered with his success,
he tried to find some way of getting plenty of money. The story of
his love affairs alternating with that of his forgeries and the means
employed, with descriptions of ink and of parchment, resulted in such
headings to his chapters as ‘My first victim--For a red ribbon--The
gingerbread fair--I make the acquaintance of Astier-Réhu--The mysterious
ink--I defy the chemists of the Institute.’ This brief epitome is enough
to show the combination, the humpback’s self-satisfaction _plus_ the
arrogance of the self-taught artisan. The general result of reading
the production was utter amazement that the Permanent Secretary of
the Académie Française and the official representatives of science
and literature could have been taken in for two or three years by an
ignorant dwarf with a brain crammed full of the refuse of libraries and
the ill-digested parings of books. This constituted the extraordinary
joke of the whole business, and was the explanation of the crowded
court. People came to see the Académie pilloried in the person of
Astier-Réhu, who sat among the witnesses, the mark of every eye. There
he sat without moving, absorbed in his thoughts, not turning his head,
and hardly answering the fulsome compliments of Freydet who was standing
behind, with black gloves and a deep crape hat-band, having quite
recently lost his sister. He had been summoned for the defence, and the
Academic candidate was afraid that the fact might damage him in the eyes
of his old master. He was apologising and explaining how he had come
across the wretched Fage in Védrine’s studio, and that was the reason
of this unexpected call. But his whispers were lost in the noise of the
Public-domain text, read in full here on John Shaqi.
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