The Immortal; Or, One of the "Forty.": (L'immortel) - 1877Daudet, Alphonse
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The Immortal; Or, One of the "Forty.": (L'immortel) - 1877
Daudet, Alphonse
Intellectuals -- France -- Fiction; Paris (France) -- Fiction
Two dinners a week! Up to twelve or one
o’clock she would be wheeling her chair all over the drawing-room. She
had sacrificed her remaining strength to it, and was even more excited
and keen than her brother. And at the last, the very last, when she was
past speaking, her poor twisted fingers went on counting upon the hem of
the sheet ‘Yes, Védrine, she died, ticking and calculating my chances
of Ripault-Babin’s seat. Oh, if only for her sake, I will get into their
Académie, in defiance of them all, and in honour of her dear memory!’
He stopped short, then in an altered and lower voice went on: ‘Really I
don’t know why I talk like that. The truth is that, since they put the
idea into my head, I can think of nothing else. My sister is dead and
I have hardly given her a tear. I had to pay my calls and “beg for the
Académie,” as that fellow says. The thing takes the very life out of me.
It’s perfectly maddening.’
In the savage plainness of these words and the excited ring of the
angry voice, the sculptor could scarcely recognise his gentle courteous
friend, to whom mere living used to be a joy. The absent expression in
his eye, the anxious wrinkle on his brow, and the heat of the hand which
grasped Védrine’s, all betrayed his subjection to one absorbing passion,
one fixed idea. But the meeting with Védrine seemed to have relieved his
nerves, and he asked affectionately, ‘Well, what are you doing, and
how are you getting on? How is your wife? And the children?’ His friend
answered with his quiet smile. All were doing well, thank God. The
little girl was just going to be weaned. The boy continued to fulfil his
function of looking lovely, and was waiting impatiently for old Réhu’s
centenary. As for himself, he was hard at work. He had two pictures in
the Salon this year, not badly hung, and not badly sold. On the other
hand a creditor, not less unwise than hard, had taken possession of the
Knight, and he had passed from stage to stage, first lying much in
the way in a fine suite of rooms on the ground floor in the Rue St.
Pétersbourg, then packed off to a stable at Batignolles, and now
shivering under a cowkeeper’s shed at Levallois, where from time to time
the sculptor and his family went to pay him a visit.
‘So much for glory!’ added Védrine with a laugh, as the voice of the
usher called for the witness Astier-Réhu. The head of the Permanent
Secretary showed for a moment, outlined against the dusty light of
the court-room, upright and steady; but his back he had forgotten to
control, and the shiver of his broad shoulders betrayed intense feeling.
‘Poor man,’ muttered the sculptor, ‘he’s got heavy trials to go through.
This autograph business, and his son’s marriage.’
‘Is Paul Astier married?’
Public-domain text, read in full here on John Shaqi.
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