The Immortal; Or, One of the "Forty.": (L'immortel) - 1877Daudet, Alphonse
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The Immortal; Or, One of the "Forty.": (L'immortel) - 1877
Daudet, Alphonse
Intellectuals -- France -- Fiction; Paris (France) -- Fiction
And what had yonder dome given him in return? Nothing, absolutely
nothing. Even on the day of his admission, when the speeches were over
and the double-edged compliments at an end, he had felt the sensation of
emptiness and deluded hope. He had said to himself as he drove home
to change his green coat, ‘Have I really got in? Why, it can’t be like
this.’ Since then, by dint of constant lying to himself and echoing,
with his colleagues, that it was delightful, delicious, he had ended by
believing so. But now the veil had fallen away, and he saw the truth;
and he would have liked to proclaim with a thousand tongues to the youth
of France, ‘The Académie is a snare and a delusion. Go your way and
do your work. Sacrifice nothing to the Académie, for it has nothing
to offer you, neither gift, nor glory, nor the best thing of all,
self-contentment. It is neither a retreat nor a refuge; it is a hollow
idol, a religion that offers no consolations. The great troubles of
life come upon you there as elsewhere; under that dome men have killed
themselves, men have gone mad there! Those who in their agony have
turned to the Académie, and weary of loving, or weary of cursing, have
stretched forth their arms to her, have clasped but a shadow.’
The old schoolmaster was speaking aloud, bareheaded, grasping the
parapet with both hands as in old days he used to hold the edge of his
desk at lessons. The river rolled on below, tinged with hues of night,
between its rows of winking lamps. An uncanny thing is the speechless
life of light, moving, and looking, and never saying what it means. On
the quay the song of a drunken man died quavering away in the distance,
‘When Cupid... in the morn... awakes.’ The accent showed that the
merry singer was an Auvergnat making his way back to his coal-barge. It
reminded him of Teyssèdre, the polisher, and his glass of good wine. He
saw him wiping his mouth on his shirt-sleeve. ‘It’s the only real good
in life.’ Even a humble natural joy like that he had never known; he
must needs envy even Teyssèdre. Absolutely alone, with no refuge, no
breast on which to weep, he realised that ‘that woman’ was right, and
‘the trunk had better be packed for good and all, Léonard.’
In the morning some policemen found on a bench on the Pont des Arts
a wide-brimmed hat, one of those hats which preserve something of the
expression of their owner. Inside was a large gold watch and a visiting
card--‘Léonard Astier-Réhu, Permanent Secretary of the Académie
Française.’ Right across the line of print had been written in pencil
the words, ‘I die here of my own will.’ Of his own will indeed it was!
Even better than the little phrase in the large, firm handwriting did
the expression of his features--the set teeth, the projection of
the lower jaw--declare his fixed determination to die, when after a
morning’s search the dredgers found the body caught in the wide meshes
of an iron net surrounding some baths for women, quite close to the
bridge.
Public-domain text, read in full here on John Shaqi.
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