The Immortal; Or, One of the "Forty.": (L'immortel) - 1877Daudet, Alphonse
General
The Immortal; Or, One of the "Forty.": (L'immortel) - 1877
Daudet, Alphonse
Intellectuals -- France -- Fiction; Paris (France) -- Fiction
was in his heart profoundly glad that Loisillon was dead. He had never
seen or known him; he could not love him for his work’s sake, as he had
done no work; and the only thing for which he could thank him was that
he had left his chair empty at such a convenient moment. But he was
impressed notwithstanding. The funeral pomp to which custom makes the
old Parisian indifferent, the long line of knapsacks, the muskets that
fell on the flags with a single blow (at the command of a boyish little
martinet, with a stock under-his chin, who was probably performing on
this occasion his first military duty), and, above all, the funeral
music and the muffled drums, filled him with respectful emotion: and
as always happened when he felt keenly, rimes began to rise. He had
actually got a good beginning, presenting a grand picture of the storm
and electric agitation and mental eclipse produced in the atmosphere
of a nation when one of its great men disappears. But he broke off his
thoughts to make room for Danjou, who, having arrived very late, pushed
on amid the looks and whispers of the ladies, gazing about him coldly
and haughtily and passing his hand over his head as he habitually does,
doubtless to ascertain the safety of his back hair.
‘He did not recognise me,’ thought Freydet, hurt by the crushing glance
with which the Academician relegated to the ranks the nobody who had
ventured to greet him; ‘it’s my whiskers, I suppose.’ The interruption
turned the thoughts of the candidate from his verses, and he began to
consider his plan of operations, his calls, his official announcement
to the Permanent Secretary. But what was he thinking of? The Permanent
Secretary was dead! Would Astier-Réhu be appointed before the vacation?
And when would the election be? He proceeded to consider all the
‘details, down to his coat. Should he go to Astier’s tailor now? And did
the tailor supply also the hat and sword?
_Pie Jesu, Domine_, sang a voice behind the altar, the swelling notes of
an opera singer, asking repose for Loisillon, whom it might be thought
the Divine Mercy had destined to special torment, for all through the
church, loud and soft, in every variety of voice, solo and in unison,
came the supplication for ‘repose, repose.’ Ah, let him sleep quietly
after his many years of turmoil and intrigue! The solemn stirring chant
was answered in the nave by women’s sobbing, above which rose the tragic
convulsive gasp of Marguerite Oger, the gasp so impressive in the
fourth act of ‘Musidora.’ All this lamentation touched the kind-hearted
candidate and linked itself in his feelings to other lamentations and
other sorrows. He thought of relatives who had died, and of his sister
who had been a mother to him, and who was now given up by all the
doctors, and knew it, and spoke of it in every letter. Ah! would she
live even to see the day of his success? Tears blinded him, and he was
obliged to wipe his eyes.
Public-domain text, read in full here on John Shaqi.
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