‘To show the kindness and pity of woman, I can vouch for the following.’ It was Védrine who spoke, his head thrown back and swaying as it rested on the hood of the carriage, his eyes half shut as he looked at some inward vision. ‘It was not at the great milliner’s. It was at the Hôtel-Dieu, in Bouchereau’s department. A rough, white-washed cell, an iron bedstead with all the clothes thrown off, and on it, stark naked, covered with sweat and foam, contorted and twisted like a clown with sudden springs and with yells that re-echoed through the fore-court of Notre Dame, a madman in the last agony. Beside the bed two women, one on either side, the Sister, and one of Bouchereau’s little lady-students, both quite young, yet with no disgust and no fear, both leaning over the poonwretch whom no one dared go near, wiping from his brow and mouth the sweat of his agony and the suffocating foam. The Sister was praying all the time; the other was not. But in the inspired look in the eyes of both, in the gentleness of the brave little hands which wiped away the madman’s foam right from under his teeth, in the heroic and maternal beauty of their unwearied movements, you felt that they were both very women. There is woman! It was enough to make a man fall on his knees and sob.’ ‘Thank you, Védrine,’ said Freydet under his breath; he had been choking with the recollection of the dear one at Clos Jallanges. The doctor began his jerk and his ‘just so,’ but was cut short by the dry, incisive tones of Paul Astier. ‘Oh yes, sick nurses, I’ll allow. Sickly themselves, nothing gives them such pleasure as nursing, dressing, bathing their patients, handling hot towels and basins; and then there’s the power they exercise over the suffering and the weak.’ His voice hissed and rose to the pitch of his mother’s, while from his cold eye darted a little gleam of wickedness which made his companions wonder ‘what is up,’ and suggested to the doctor the sage reflection, ‘All very well to talk about a scratch, and swords of the Institute, but I should not care to be in the Prince’s skin.’ ‘Now I’ll paint you a pendant to our friend’s chromo,’ sneered Paul. ‘As a specimen of feminine delicacy and faithfulness, take a little widow, who even in the burial vault of the departed, and on his very tombstone----’ ‘_The Ephesian Matron!_’ broke in Védrine, ‘you want to tell us that!’ The discussion grew animated and ran on, still to an accompaniment of the jolting wheels, upon the never-failing topics of masculine discussion, woman and love.