"Yes, you said it. It is their festival to-day. We must celebrate it with the rites consecrated by old painters." Therese heard without understanding. She was crumpling under her glove a letter which she had just received, bearing the Italian postage-stamp, and containing only these two lines: "I am staying at the Great Britain Hotel, Lungarno Acciaoli. I shall expect you to-morrow morning. No. 18." "Darling, do you not know it is the custom of Florence to celebrate spring on the first day of May every year? Then you did not understand the meaning of Botticelli's picture consecrated to the Festival of Flowers. Formerly, darling, on the first day of May the entire city gave itself up to joy. Young girls, crowned with sweetbrier and other flowers, made a long cortege through the Corso, under arches, and sang choruses on the new grass. We shall do as they did. We shall dance in the garden." "Ah, we shall dance in the garden?" "Yes, darling; and I will teach you Tuscan steps of the fifteenth century which have been found in a manuscript by Mr. Morrison, the oldest librarian in London. Come back soon, my love; we shall put on flower hats and dance." "Yes, dear, we shall dance," said Therese. And opening the gate, she ran through the little pathway that hid its stones under rose-bushes. She threw herself into the first carriage she found. The coachman wore forget-me-nots on his hat and on the handle of his whip: "Great Britain Hotel, Lungarno Acciaoli." She knew where that was, Lungarno Acciaoli. She had gone there at sunset, and she had seen the rays of the sun on the agitated surface of the river. Then night had come, the murmur of the waters in the silence, the words and the looks that had troubled her, the first kiss of her lover, the beginning of incomparable love. Oh, yes, she recalled Lungarno Acciaoli and the river-side beyond the old bridge--Great Britain Hotel--she knew: a big stone facade on the quay. It was fortunate, since he would come, that he had gone there. He might as easily have gone to the Hotel de la Ville, where Dechartre was. It was fortunate they were not side by side in the same corridor. Lungarno Acciaoli! The dead body which they had seen pass was at peace somewhere in the little flowery cemetery. "Number 18." It was a bare hotel room, with a stove in the Italian fashion, a set of brushes displayed on the table, and a time-table. Not a book, not a journal. He was there; she saw suffering on his bony face, a look of fever. This produced on her a sad impression. He waited a moment for a word, a gesture; but she dared do nothing. He offered a chair. She refused it and remained standing. "Therese, something has happened of which I do not know. Speak." After a moment of silence, she replied, with painful slowness: "My friend, when I was in Paris, why did you go away from me?"