The Immortals: Masterpieces of Fiction, Crowned by the French Academy — CompleteVarious
General
The Immortals: Masterpieces of Fiction, Crowned by the French Academy — Complete
Various
French fiction; Literature -- Collections
The voice of the master of the ceremonies could be heard jocose and
solemn: "La poule! Advance! Set to partners!" Then the stamping of heavy
shoes on the badly planed floor, and, above all, the melancholy sounds of
the clarionet and the shrill notes of the cornet were audible.
At the entrance of the ballroom, surrounded by tables and stools, two
barrels of wine on stands presented their wooden taps, ready for those
who wanted to quench their thirst. A large red mark under each barrel
showed that the hands of the drinkers wire no longer steady. A
cake-seller had taken up his place at the other side, and was kneading a
last batch of paste, while his apprentice was ringing a bell which hung
over the iron cooking-stove to attract customers. There was an odor of
rancid butter, spilled wine, and paraffin oil.
Adjoining the ballroom, a merry-go-round; which had been the delight of
the village urchins all day, appealed for custom by the aid of a
barrel-organ on which a woman in a white bodice was playing the waltz
from 'Les Cloches de Corneville'.
The animation of this fete, in the midst of which Madame Desvarennes
suddenly appeared, was a happy diversion from the serious thoughts which
beset her. She remembered that Serge and Micheline must be there. She
came from under the shadow of the avenue into the full light. On
recognizing her, all the workpeople, who were seated, rose. She was
really mistress and lady of the place. And then she had fed these people
since morning. With a sign she bade them be seated, and walking quickly
toward the dancing-room, lifted the red and white cotton curtain which
hung over the entrance.
There, in a space of a hundred square yards or so, about a hundred and
fifty people were sitting or standing. At the end, on a stage, were the
musicians, each with a bottle of wine at his feet, from which they
refreshed themselves during the intervals. An impalpable dust, raised by
the feet of the dancers, filled the air charged with acrid odors. The
women in light dresses and bareheaded, and the men arrayed in their
Sunday clothes, gave themselves up with frantic ardor to their favorite
pleasure.
Ranged in double rows, vis-a-vis, they were waiting with impatience for
the music to strike up for the last figure. Near the orchestra, Serge was
dancing with the Mayor's daughter opposite Micheline, whose partner was
the mayor himself. An air of joyful gravity lit up the municipal
officer's face. He was enjoying the honor which the Princess had done
him. His pretty young daughter, dressed, in her confirmation dress, which
had been lengthened with a muslin flounce, a rose in her hair, and her
hands encased in straw-colored one-button kid gloves, hardly dared raise
her eyes to the Prince, and with burning cheeks, answered in
monosyllables the few remarks Serge felt forced to address to her.
Public-domain text, read in full here on John Shaqi.
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