The Imported Bridegroom, and Other Stories of the New York GhettoCahan, Abraham
General
The Imported Bridegroom, and Other Stories of the New York Ghetto
Cahan, Abraham
Jews -- New York (State) -- New York -- Fiction; United States -- Emigration and immigration -- Fiction
Everybody felt ill at ease, and ever and anon looked about for the
possible arrival of more guests. At ten o'clock the dancing
preliminary to the ceremony had not yet ceased, although the few
waltzers looked as if they were scared by the ringing echoes of their
own footsteps amid the austere solemnity of the surrounding void and
the depressing sheen of the dim expanse of floor.
The two fiddles, the cornet, and the clarinet were shrieking as though
for pain, and the malicious superabundance of gaslight was fiendishly
sneering at their tortures. Weddings and entertainments being scarce
in the Ghetto, its musicians caught the contagion of misery: hence
the greedy, desperate gusto with which the band plied their
instruments.
At last it became evident that the assemblage was not destined to be
larger than it was, and that it was no use delaying the ceremony. It
was, in fact, an open secret among those present that by far the
greater number of the invited friends were kept away by lack of
employment: some having their presentable clothes in the pawn shop;
others avoiding the expense of a wedding present, or simply being too
cruelly borne down by their cares to have a mind for the excitement of
a wedding; indeed, some even thought it wrong of Nathan to have the
celebration during such a period of hard times, when everybody was out
of work.
It was a little after ten when the bard--a tall, gaunt man, with a
grizzly beard and a melancholy face--donned his skull-cap, and,
advancing toward the dancers, called out in a synagogue intonation,
"Come, ladies, let us veil the bride!"
An odd dozen of daughters of Israel followed him and the musicians
into a little side-room where Goldy was seated between her two
brideswomen (the wives of two men who were to attend upon the groom).
According to the orthodox custom she had fasted the whole day, and as
a result of this and of her gnawing grief, added to the awe-inspiring
scene she had been awaiting, she was pale as death; the effect being
heightened by the wreath and white gown she wore. As the procession
came filing in, she sat blinking her round dark eyes in dismay, as if
the bard were an executioner come to lead her to the scaffold.
The song or address to the bride usually partakes of the qualities of
prayer and harangue, and includes a melancholy meditation upon life
and death; lamenting the deceased members of the young woman's family,
bemoaning her own woes, and exhorting her to discharge her sacred
duties as a wife, mother, and servant of God. Composed in verse and
declaimed in a solemn, plaintive recitative, often broken by the
band's mournful refrain, it is sure to fulfill its mission of
eliciting tears even when hearts are brimful of glee. Imagine, then,
the funereal effect which it produced at Goldy's wedding ceremony.
Public-domain text, read in full here on John Shaqi.
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