The Imported Bridegroom, and Other Stories of the New York GhettoCahan, Abraham
General
The Imported Bridegroom, and Other Stories of the New York Ghetto
Cahan, Abraham
Jews -- New York (State) -- New York -- Fiction; United States -- Emigration and immigration -- Fiction
Whereupon she said to herself, "Now I am a married woman!" But
somehow, at this moment the words were meaningless sounds to her. She
knew she was married, but could not realize what it implied. As Nathan
crushed the wineglass underfoot, and the band struck up a cheerful
melody, and the gathering shouted, "Good luck! Good luck!" and clapped
their hands, while the older women broke into a wild hop, Goldy felt
the relief of having gone through a great ordeal. But still she was
not distinctly aware of any change in her position.
Not until fifteen minutes later, when she found herself in the
basement, at the head of one of three long tables, did the realization
of her new self strike her consciousness full in the face, as it were.
The dining-room was nearly as large as the dancing-hall on the floor
above. It was as brightly illuminated, and the three tables, which
ran almost its entire length, were set for a hundred and fifty guests.
Yet there were barely twenty to occupy them. The effect was still more
depressing than in the dancing-room. The vacant benches and the
untouched covers still more agonizingly exaggerated the emptiness of
the room, in which the sorry handful of a company lost themselves.
Goldy looked at the rows of plates, spoons, forks, knives, and they
weighed her down with the cold dazzle of their solemn, pompous array.
"I am not the Goldy I used to be," she said to herself. "I am a
married woman, like mamma, or auntie, or Mrs. Volpiansky. And we have
spent every cent we had on this grand wedding, and now we are left
without money for furniture, and there are no guests to send us any,
and the supper will be thrown out, and everything is lost, and I am to
blame for it all!"
The glittering plates seemed to hold whispered converse and to
exchange winks and grins at her expense. She transferred her glance to
the company, and it appeared as if they were vainly forcing themselves
to partake of the food,--as though they, too, were looked out of
countenance by that ruthless sparkle of the unused plates.
Nervous silence hung over the room, and the reluctant jingle of the
score of knives and forks made it more awkward, more enervating, every
second. Even the bard had not the heart to break the stillness by the
merry rhymes he had composed for the occasion.
Goldy was overpowered. She thought she was on the verge of another
fainting spell, and, shutting her eyes and setting her teeth, she
tried to imagine herself dead. Nathan, who was by her side, noticed
it. He took her hand under the table, and, pressing it gently,
whispered, "Don't take it to heart. There is a God in heaven."
She could not make out his words, but she felt their meaning. As she
was about to utter some phrase of endearment, her heart swelled in her
throat, and a piteous, dovelike, tearful look was all the response she
could make.
Public-domain text, read in full here on John Shaqi.
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