London (England) -- Social life and customs -- Fiction; Women -- Fiction
Prue drew on one of the gloves. It was so elastic, and yet so clinging,
that it clasped her slender fingers like another skin, giving them even
a more tapering and delicate appearance than usual. She did not open her
letter until she was alone in her own room, and then, tearing off the
cover with more eagerness than she would have cared to own, found
nothing inside but ten crisp, new Bank of England notes for one hundred
pounds each.
She dropped them as though they had been so many adders, and a flush of
anger rose to her cheek. "I suppose he has been waylaying and robbing
some one!" she said half-aloud, "and hugs himself to think he can buy me
with stolen money! Oh! he is just as base as the rest—"
There was a movement in the other room, so Prue snatched up the
bank-notes and crumpled them into her jewel-box. Not even to Peggie did
she wish to confide this fresh instance of Robin’s turpitude.
*CHAPTER XV*
*THE RED DOMINO*
Fashionable hours were early in the days of Queen Anne, and it was a
well-known fact that the imperious Sarah Churchill did not easily pardon
the slight of unpunctuality at her entertainments. So by nine o’clock
the gorgeous drawing-rooms were well-filled and the steady stream of
rank and beauty poured up the great staircase as fast as chariots and
chairs could discharge their glittering loads.
The sight was a dazzling one; every nationality, every celebrity was
represented. Cardinals paid court to Gipsies, Charlemagne and Henry the
Eighth contended for the favor of Helen of Troy, and in front of the
dais upon which the duchess stood unmasked, to receive her guests, an
endless procession passed, of monks and devils, kings and clowns,
swashbucklers, nuns, fairies, princesses, allegorical and mythological
personages—a veritable phantasmagoria, in which the mask and domino
afforded just as much concealment as the wearer desired, but no more.
A ripple of laughter or a murmur of admiration at frequent intervals
announced the arrival of some specially brilliant or humorous masker,
and when the crowd was at its densest, a couple approached the dais,
followed by a stream of hilarious compliments.
Foremost came Prue, dressed as a shepherdess. Over a skirt of her
grandmother’s priceless lace, she wore a Watteau dress of white silk,
brocaded with bunches of rosebuds and forget-me-nots, and coquettishly
perched upon her luxuriant curls was a little straw hat, adorned with a
wreath of roses and a flowing knot of blue ribbon. The
pearl-embroidered gloves covered her hands, in one of which she carried
a crook all laced with fluttering ribbons, and in the other a silken
cord, by which she led Peggie, admirably disguised as a lamb; of
gigantic growth, to be sure, but delightfully and gracefully grotesque
as she ambled and pranced beside the little shepherdess, who at every
other step, stopped to caress and encourage her.
Public-domain text, read in full here on John Shaqi.
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