Artists -- Fiction; British -- France -- Paris -- Fiction; Man-woman relationships -- Fiction; Young women -- Fiction
CHAPTER XVI.
"LOVE AND TUPPER."
"Whenever Vernon liked" proved to be the very next day. He was waiting
outside the door of the atelier when Betty, in charcoal-smeared
pinafore, left the afternoon class.
"Won't you dine with me somewhere to-night?" said he.
"I am going to Garnier's," she said. Not even for him, friend of hers
and affianced of another as he might be, would she yet break the rule
of a life Paula had instituted.
"Fallen as I am," he answered gaily, "I am not yet so low as to be
incapable of dining at Garnier's."
So when Betty passed through the outer room of the restaurant and
along the narrow little passage where eyes and nose attest strongly
the neighborhood of the kitchen, she was attended by a figure that
aroused the spontaneous envy of all her acquaintances. In the inner
room where they dined it was remarked that such a figure would be more
at home at Durand's or the Café de Paris than at Garnier's. That night
the first breath of criticism assailed Betty. To afficher oneself with
a fellow-student--a "type," Polish or otherwise--that was all very
well, but with an obvious Boulevardier, a creature from the other
side, this dashed itself against the conventions of the Artistic
Quartier. And conventions--even of such quarters--are iron-strong.
"Fiddle-de-dee," said Miss Voscoe to her companions' shocked comments,
"they were raised in the same village, or something. He used to give
her peanuts when he was in short jackets, and she used to halve her
candies with him. Friend of childhood's hour, that's all. And besides
he's one of the presidents of our Sketch Club."
But all Garnier's marked that whereas the habitués contented
themselves with an omelette aux champignons, sauté potatoes and a
Petit Suisse, or the like modest menu, Betty's new friend ordered for
himself, and for her, "a real regular dinner," beginning with hors
d'oeuvre and ending with "mendiants." "Mendiants" are raisins and
nuts, the nearest to dessert that at this season you could get at
Garniers. Also he passed over with smiling disrelish the little
carafons of weak wine for which one pays five sous if the wine be red,
and six if it be white. He went out and interviewed Madame at her
little desk among the flowers and nuts and special sweet dishes, and
it was a bottle of real wine with a real cork to be drawn that adorned
the table between him and Betty. To her the whole thing was of the
nature of a festival. She enjoyed the little sensation created by her
companion; and the knowledge which she thought she had of his
relations to Lady St. Craye absolved her of any fear that in dining
with him tête-à-tête she was doing anything "not quite nice." To her
the thought of his engagement was as good or as bad as a chaperon. For
Betty's innocence was deeply laid, and had survived the shock of all
the waves that had beaten against it since her coming to Paris. It was
more than innocence, it was a very honest, straightforward childish
naiveté.
Public-domain text, read in full here on John Shaqi.
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