Artists -- Fiction; British -- France -- Paris -- Fiction; Man-woman relationships -- Fiction; Young women -- Fiction
"And so you didn't come to Thirion's to see me? How one may deceive
oneself! The highest hopes we cherish here! Another beautiful illusion
gone!"
She said to herself: "I can do nothing with him in this mood," and
aloud she could not help saying: "Was it a beautiful one?"
"Very," he answered gaily. "Can you doubt it?"
She found nothing to say. And even as she fought for words she
suddenly found that he had caught her in his arms, and kissed her, and
that the sound of the door that had banged behind him was echoing in
her ears.
She put her hands to her head. She could not see clearly.
CHAPTER XVII.
INTERVENTIONS.
That kiss gave Lady St. Craye furiously to think, as they say in
France.
Had it meant--? What had it meant? Was it the crown of her hopes, her
dreams? Was it possible that now, at last, after all that had gone
before, she might win him--had won him, even?
The sex-instinct said "No."
Then, if "No" were the answer to that question, the kiss had been mere
brutality. It had meant just:
"You chose to follow me--to play the spy. What the deuce do you want?
Is it this? God knows you're welcome," the kiss following.
The kiss stung. It was not the first. But the others--even the last of
them, two years before, had not had that sting.
Lady St. Craye, biting her lips in lonely dissection of herself and of
him, dared take no comfort. Also, she no longer dared to follow him,
to watch him, to spy on him.
In her jasmine-scented leisure Lady St. Craye analysed herself, and
him and Her. Above all Her--who was Betty. To find out how it all
seemed to her--that, presently, seemed to Lady St. Craye the one
possible, the one important thing. So after she had given a few days
to the analysis of that kiss, had failed to reach certainty as to its
elements, had writhed in her failure, and bitterly resented the
mysteries constituent that falsified all her calculations, she dressed
herself beautifully, and went to call on the constituent, Betty.
Betty was at home. She was drawing at a table, cunningly placed at
right angles to the window. She rose with a grace that Lady St. Craye
had not seen in her. She was dressed in a plain gown, that hung from
the shoulders in long, straight, green folds. Her hair was down.--And
Betty had beautiful hair. Lady St. Craye's hair had never been long.
Betty's fell nearly to her knees.
"Oh, was the door open?" she said. "I didn't know, I've--I'm so
sorry--I've been washing my hair."
"It's lovely," said the other woman, with an appreciation quite
genuine. "What a pity you can't always wear it like that!"
"It's long," said Betty disparagingly, "but the colour's horrid. What
Miss Voscoe calls Boy colour."
"Boy colour?"
"Oh, just nothing in particular. Mousy."
"If you had golden hair, or black, Miss Desmond, you'd have a quite
unfair advantage over the rest of us."
"I don't think so," said Betty very simply; "you see, no one ever sees
it down."
"What a charming place you've got here," Lady St. Craye went on.
Public-domain text, read in full here on John Shaqi.
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