Artists -- Fiction; British -- France -- Paris -- Fiction; Man-woman relationships -- Fiction; Young women -- Fiction
There was a luxurious temptation in the idea. It was not the first
time, naturally, that Vernon had "told all about it" with a
sympathetic woman-hand on his shoulder. He knew the strategic value of
confidences. But always he had made the confidences fit the
occasion--serve the end he had in view. Now, such end as had been in
view was gained. He knew that it was only a matter of time now, before
she should tell him of her own accord, what he could never by any
brutality have forced her to tell. And the temptation to speak, for
once, the truth about himself was overmastering. It is a luxury one
can so very rarely afford. Most of us go the whole long life-way
without tasting it. There was nothing to lose by speaking the truth.
Moreover, he must say something, and why not the truth? So he said:
"It all comes of that confounded habit of mine of wanting to be in
love."
"Yes," she said, "you were always so anxious to be--weren't you? And
you never were--till now."
The echo of his hidden thought made it easier for him to go on.
"It was at Long Barton," he said,--"it's a little dead and alive place
in Kent. I was painting that picture that you like--the one that's in
the Salon, and I was bored to death, and she walked straight into the
composition in a pink gown that made her look like a La France rose
that has been rained on--you know the sort of pink-turning-to-mauve."
"And it was love at first sight?" said she, and took away her hand.
"Not it," said Vernon, catching the hand and holding it; "it was just
the usual thing. I wanted it to be like all the others."
"Like mine," she said, looking down on him.
"Nothing could be like _that_," he had the grace to say, looking up at
her: "that was only like the others in one thing--that it couldn't
last.--What am I thinking of to let you stand there?"
He got up and led her to the divan. They sat down side by side. She
wanted to laugh, to sing, to scream. Here was he sitting by her like a
lover--holding her hand, the first time these two years, three years
nearly--his voice tender as ever. And he was telling her about Her.
"No," he went on, burrowing his shoulder comfortably in the cushions,
"it was just the ordinary outline sketch. But it was coming very
nicely. She was beginning to be interested, and I had taught myself
almost all that was needed--I didn't want to marry her; I didn't want
anything except those delicate delightful emotions that come before
one is quite, quite sure that she--But you know."
"Yes," she said. "I know."
"Then her father interfered, and vulgarized the whole thing. He's a
parson--a weak little rat, but I was sorry for him. Then an aunt came
on the scene--a most gentlemanly lady,"--he laughed a little at the
recollection,--"and I promised not to go out of my way to see Her
again. It was quite easy. The bloom was already brushed from the
adventure. I finished the picture, and went to Brittany and forgot the
whole silly business."
Public-domain text, read in full here on John Shaqi.
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