Artists -- Fiction; British -- France -- Paris -- Fiction; Man-woman relationships -- Fiction; Young women -- Fiction
You will see by the letter what progress friendship can make in a
month between a young man and woman, even when each is half in love
with some one else.
"Sweet friend," said the letter: "This is to say good-bye for a
little while. But you will think of me when I am away, won't you?
I am going into the country to make some sketches and to think. I
don't believe it is possible for English people to think in Paris.
And I have things to think over that won't let themselves be thought
over quietly here. And I want to see the Spring. I won't ask you to
write to me, because I want to be quite alone, and not to have even
a word from my sweet and dear friend. I hope your work will go well.
"Yours,
"Robert Temple."
Betty, in bed, was re-reading this when Vernon's knock came at her
door. She spoke to him through the door with the letter in her hand.
And her real thought when she asked him if he had come to break bad
news was that something had happened to Temple.
She went back to bed, but not to sleep. Try as she would, she could
not keep away the wonder--what could Vernon have had to say that
wanted so badly to get itself said? She hid her eyes and would not
look in the face of her hope. There had been a tone in his voice as he
whispered on the other side of that stupid door, a tone she had not
heard since Long Barton.
Oh, why had she gone to bed early that night of all nights? She would
never go to bed early again as long as she lived!
What?--No, impossible! Yes. Another knock at her door. She sprang out
of bed, and stood listening. There was no doubt about it. Vernon had
come back. After all what he had to say would not keep till morning. A
wild idea of dressing and letting him in was sternly dismissed. For
one thing, at topmost speed, it took twenty minutes to dress. He would
not wait twenty minutes. Another knock.
She threw on her dressing gown and ran along her little passage--and
stooped to the key-hole just as another tap, discreet but insistent,
rang on the door panel.
"Go away," she said low and earnestly. "I can't talk to you to-night
_whatever it is_. It must wait till the morning."
"It's I," said the very last voice in all Paris that she expected to
hear, "it's Lady St. Craye.--Won't you let me in?"
"Are you alone?" said Betty.
"Of course I'm alone. It's most important. Do open the door."
The door was slowly opened. The visitor rustled through, and Betty
shut the door. Then she followed Lady St. Craye into the sitting-room,
lighted the lamp, drew the curtain across the clear April night, and
stood looking enquiry--and not looking it kindly. Her lips were set in
a hard line and she was frowning.
She waited for the other to speak, but after all it was she who broke
the silence.
"Well," she said, "what do you want now?"
"I hardly know how to begin," said Lady St. Craye with great truth.
Public-domain text, read in full here on John Shaqi.
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