Artists -- Fiction; British -- France -- Paris -- Fiction; Man-woman relationships -- Fiction; Young women -- Fiction
"I know I could. Unless of course you were to tell him I'd been here
to-night. I should have no chance after that--naturally. I wish I knew
what to say to you. You're very young; you'll find someone else, a
better man. He's not a good man. There's a girl at Montmartre at this
very moment--a girl he's set up in a restaurant. He goes to see her.
You'd never stand that sort of thing. I know the sort of girl you are.
And you're quite right. But I've got beyond that. I don't care what he
is, I don't care what he does. I understand him. I can make allowances
for him. I'm his real mate. I could make him happy. You never
would--you're too good. Ever since I first met him I've thought of
nothing else, cared for nothing else. If he whistled to me I'd give up
everything else, everything, and follow him barefoot round the world."
"I heard someone say that in a play once," said Betty musing.
"So did I," said Lady St. Craye very sharply--"but it's true for all
that. Well--you can do as you like."
"Of course I can," said Betty.
"I've done all I can now. I've said everything there is to say. And if
you love him as I love him every word I've said won't make a scrap of
difference. I know that well enough. What I want to know is--_do_ you
love him?"
The scene had been set deliberately. But the passion that spoke in it
was not assumed. Betty felt young, school-girlish, awkward in the
presence of this love--so different from her own timid dreams. The
emotion of the other woman had softened her.
"I don't know," she said.
"If you don't know, you don't love him.--At least don't see him till
you're sure. You'll do that? As long as he's not married to anyone,
there's just a chance that he may love me again. Won't you have pity?
Won't you go away like that sensible young man Temple? Mr. Vernon told
me he was going into the country to decide which of the two women he
likes best is the one he really likes best! Won't you do that?"
"Yes," said Betty slowly, "I'll do that. _Look_ here, I am most
awfully sorry, but I don't know--I can't think to-night. I'll go right
away--I won't see him to-morrow. Oh, no. I can't come between you and
the man you're engaged to," her thoughts were clearing themselves as
she spoke. "Of course I knew you were engaged to him. But I never
thought. At least--Yes. I'll go away the first thing to-morrow."
"You are very, very good," said Lady St. Craye, and she meant it.
"But I don't know where to go. Tell me where to go."
"Can't you go home?"
"No: I won't. That's too much."
"Go somewhere and sketch."
"Yes,--but _where_?" said poor Betty impatiently.
"Go to Grez," said the other, not without second thoughts. "It's a
lovely place--close to Fontainebleau--Hotel Chevillon. I'll write it
down for you.--Old Madame Chevillon's a darling. She'll look after
you. It _is_ good of you to forgive me for everything. I'm afraid I
was a cat to you."
Public-domain text, read in full here on John Shaqi.
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