Artists -- Fiction; British -- France -- Paris -- Fiction; Man-woman relationships -- Fiction; Young women -- Fiction
She wondered whether Betty was feeling safe. No: ten days are a long
time, especially in the country--but it would take longer than that to
cure even a little imbecile like Betty of the Vernon habit. It was
worse than opium. Who ought to know if not she who sat, calm and
sympathetic, promising to entangle Temple so as to leave Betty free to
become a hopeless prey to the fell disease?
Quite suddenly and to her own intense surprise, she laughed out loud.
"What is it?" his alert vanity bristled in the query.
"It's nothing--only everything! Life's so futile! We pat and pinch our
little bit of clay, and look at it and love it and think it's going to
be a masterpiece.--and then God glances at it--and He doesn't like
the modelling, and He sticks his thumb down, and the whole thing's
broken up, and there's nothing left to do but throw away the bits."
"Oh, no," said Vernon; "everything's bound to come right in the end.
It all works out straight somehow."
She laughed again.
"Optimism--from you?"
"It's not optimism," he asserted eagerly, "it's only--well, if
everything doesn't come right somehow, somewhere, some day, what did
He bother to make the world for?"
"That's exactly what I said, my dear," said she. She permitted herself
the little endearment now and then with an ironical inflection, as one
fearful of being robbed might show a diamond pretending that it was
paste.
"You think He made it for a joke?"
"If He did it's a joke in the worst possible taste," said she, "but I
see your point of view. There can't be so very much wrong with a world
that has Her in it,--and you--and possibilities."
"Do you know," he said slowly, "I'm not at all sure that--Do you
remember the chap in Jane Eyre?--he knew quite well that that Rosamund
girl wouldn't make him the wife he wanted. Yet he wanted nothing else.
I don't want anything but her; and it doesn't make a scrap of
difference that I know exactly what sort of fool I am."
"A knowledge of anatomy doesn't keep a broken bone from hurting," said
she, "and all even you know about love won't keep off the heartache. I
could have told you that long ago."
"I know I'm a fool," he said, "but I can't help it. Sometimes I think
I wouldn't help it if I could."
"I know," she said, and something in her voice touched the trained
sensibilities of the Amorist. He stooped to kiss the hand that teased
the topazes.
"Dear Jasmine Lady," he said, "my optimism doesn't keep its colour
long, does it? Give me some tea, won't you? There's nothing so
wearing as emotion."
She gave him tea.
"It's a sort of judgment on you, though," was what she gave him with
his first cup: "you've dealt out this very thing to so many
women,--and now it's come home to roost."
"I didn't know what a fearful wildfowl it was," he answered smiling.
"I swear I didn't. I begin to think I never knew anything at all
before."
"And yet they say Love's blind."
Public-domain text, read in full here on John Shaqi.
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