Artists -- Fiction; British -- France -- Paris -- Fiction; Man-woman relationships -- Fiction; Young women -- Fiction
The full sunlight streamed into the room when Betty, her packing done,
drew back the curtain. She looked out on the glazed roof of the
laundry, the lead roof of the office, the blank wall of the new
grocery establishment in the Rue de Rennes. Only a little blue sky
shewed at the end of the lane, between roofs, by which the sun came
in. Not a tree, not an inch of grass, in sight; only, in her room,
half a dozen roses that Temple had left for her, and the white
marguerite plant--tall, sturdy, a little tree almost--that Vernon had
sent in from the florist's next door but two. Everything was packed.
She would say good-bye to Madame Bianchi; and she would go, and leave
no address, as she had promised last night.
"Why did you promise?" she asked herself. And herself replied:
"Don't you bother. We'll talk about all that when we've got away from
Paris. He was quite right. You can't think here."
"You'd better tell the cabman some other station. That cat of a
concierge is sure to be listening."
"Ah, right. I don't want to give him any chance of finding me, even if
he did say he wanted to marry me."
A fleet lovely picture of herself in bridal smart travelling clothes
arriving at the Rectory on Vernon's arm:
"Aren't you sorry you misjudged him so, Father?" Gentle accents
refraining from reproach. A very pretty picture. Yes. Dismissed.
Now the carriage swaying under the mound of Betty's luggage starts for
the Gare du Nord. In the Rue Notre Dame des Champs Betty opens her
mouth to say, "Gare de Lyons." No: this is _his_ street. Better cross
it as quickly as may be. At the Church of St. Germain--yes.
The coachman smiles at the new order: like the concierge he scents an
intrigue, whips up his horse, and swings round to the left along the
prettiest of all the boulevards, between the full-leafed trees. Past
Thirion's. Ah!
That thought, or pang, or nausea--Betty doesn't quite know what it
is--keeps her eyes from the streets till the carriage is crossing the
river. Why--there is Notre Dame! It ought to be miles away. Suppose
Vernon should have been leaning out of his window when she passed
across the street, seen her, divined her destination, followed her in
the fleetest carriage accessible? The vision of a meeting at the
station:
"Why are you going away? What have I done?" The secret of this, her
great renunciation--the whole life's sacrifice to that life's
idol--honor, wrung from her. A hand that would hold hers--under
pretence of taking her bundle of rugs to carry.--She wished the
outermost rug were less shabby! Vernon's voice.
"But I can't let you go. Why ruin two lives--nay, three? For it is you
only that I--"
Dismissed.
It is very hot. Paris is the hottest place in the world. Betty is glad
she brought lavender water in her bag. Wishes she had put on her other
hat. This brown one is hot; and besides, if Vernon _were_ to be at the
station. Interval. Dismissed.
Public-domain text, read in full here on John Shaqi.
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