Artists -- Fiction; British -- France -- Paris -- Fiction; Man-woman relationships -- Fiction; Young women -- Fiction
"Not for worlds! I forbid it. She'd drive me mad. No--but my head's
running round like a beetle on a pin. I think you'd better go now. But
don't go to-morrow. I mean I think I'll go to sleep. I feel as if I'd
tumbled off the Eiffel tower and been caught on a cloud--one side of
it's cold and the other's blazing."
He took her hand, felt her pulse. Then he kissed the hand.
"My dear, tired Jasmine Lady," he said, "I'll send in a doctor. And
don't worry. I won't go to-morrow. I'll write."
"Oh, very well," she said, "write then,--and it will all come
out--about her being here alone. And she'll always hate you. _I_ don't
care what you do!"
"I suppose I can write a letter as though--as though I'd not seen her
since Long Barton." He inwardly thanked her for that hint.
"A letter written from Paris? That's so likely, isn't it? But do what
you like. _I_ don't care what you do."
She was faintly, agreeably surprised to notice that she was speaking
the truth. "It's rather pleasant, do you know," she went on dreamily,
"when everything that matters suddenly goes flat, and you wonder what
on earth you ever worried about. Why do people always talk about cold
shivers? I think hot shivers are much more amusing. It's like a
skylark singing up close to the sun, and doing the tremolo with its
wings. I'm sorry you're going away, though."
"I'm not going away," he said. "I wouldn't leave you when you're ill
for all the life's happinesses that ever were. Oh, why can't you cure
me? I don't want to want her; I want to want you."
"I'm certain," said Lady St. Craye brightly, "that what you've just
been saying's most awfully interesting, but I like to hear things said
ever so many times. Then the seventh time you understand everything,
and the coldness and the hotness turn into silver and gold and
everything is quite beautiful, and I think I am not saying exactly
what you expected.--Don't think I don't know that what I say sounds
like nonsense. I know that quite well, only I can't stop talking. You
know one is like that sometimes. It was like that the night you hit
me."
"I? _Hit you_?"
He was kneeling by her low chair holding her hand, as she lay back
talking quickly in low, even tones, her golden eyes shining
wonderfully.
"No--you didn't call it hitting. But things aren't always what we call
them, are they? You mustn't kiss me now, Eustace. I think I've got
some horrid fever--I'm sure I have. Because of course nobody could be
bewitched nowadays, and put into a body that feels thick and thin in
the wrong places. And my head _isn't_ too big to get through the
door.--Of course I know it isn't. It would be funny if it were. I do
love funny things.--So do you. I like to hear you laugh. I wish I
could say something funny, so as to hear you laugh now."
She was holding his hand very tightly with one of hers. The other held
the white roses. All her mind braced itself to a great exertion as the
muscles do for a needed effort. She spoke very slowly.
Public-domain text, read in full here on John Shaqi.
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