Artists -- Fiction; British -- France -- Paris -- Fiction; Man-woman relationships -- Fiction; Young women -- Fiction
The journey to Paris was interminable. Betty had decided not to think of
Temple, yet that happy morning face of his would come between her and
the things she wanted to think of. To have hurt him like that!--It hurt
her horribly; much more than she would have believed possible. And she
had been cruel. "Of course it's natural that he should say things about
Him. He must hate anyone that--He nearly cried when he said that about
rather have loved me than not--Yes--" A lump came in Betty's own throat,
and her eyes pricked.
"Come, don't cry," said her aunt briskly; "you've made your choice, and
you're going to your lover. Don't be like Lot's wife. You can't eat your
cake and have it too."
Vernon's concierge assured these ladies that Monsieur was at home.
"He makes the painting in this moment," she said. "Mount then, my
ladies."
They mounted.
Betty remembered her last--her first--visit to his studio: when Paula
had disappeared and she had gone to him for help. She remembered how the
velvet had come off her dress, and how awful her hair had been when she
had looked in the glass afterwards. And Lady St. Craye--how beautifully
dressed, how smiling and superior!
"Hateful cat!" said Betty on the stairs.
"Eh?" said her aunt.
Now there would be no one in the studio but Vernon. He would be reading
over her letters--nothing in them--only little notes about whether she
would or wouldn't be free on Tuesday--whether she could or couldn't dine
with him on Wednesday. But he would be reading them over--perhaps--
The key was in the door.
"Do you mind waiting on the stairs, Auntie dear," said Betty in a voice
of honey; "just the first minute?--I would like to have it for us
two--alone. You don't mind?"
"Do as you like," said the aunt rather sadly. "I should knock if I were
you."
Betty did not knock. She opened the studio door softly. She would like
to see him before he saw her.
She had her wish.
A big canvas stood on the easel, a stool in front of it. The table was
in the middle of the room, a yellow embroidered cloth on it. There was
food on the cloth--little breads, pretty cakes and strawberries and
cherries, and wine in tall, beautiful, topaz-coloured glasses.
Vernon sat in his big chair. Betty could see his profile. He sat there,
laughing. On the further arm of the chair sat, laughing also, a very
pretty young woman. Her black hair was piled high on her head and
fastened with a jewelled pin. The sunlight played in the jewels. She
wore a pink silk garment. She held cherries in her hand.
"_V'la cheri_!" she said, and put one of the twin cherries in her mouth;
then she leant over him laughing, and Vernon reached his head forward to
take in his mouth the second cherry that dangled below her chin. His
mouth was on the cherry, and his eyes in the black eyes of the girl in
pink.
Betty banged the door.
"Come away!" she said to Miss Desmond. And she, who had seen, too, the
pink picture, came away, holding Betty's arm tight.
Public-domain text, read in full here on John Shaqi.
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