Artists -- Fiction; British -- France -- Paris -- Fiction; Man-woman relationships -- Fiction; Young women -- Fiction
Betty got to work, as soon as she knew how one began to get to work.
It was her first attempt at a drawing from the life, saving certain
not unsuccessful caricatures of her fellow pupils, her professor and
her chaperon. So far she had only been set to do landscape, and
laborious drawings of casts from the antique. The work was much harder
than she had expected. And the heat was overpowering. She wondered how
these other girls could stand it. Their amused, half-patronising,
half-disdainful glances made her furious.
She rubbed out most of the lines she had put in and gasped for breath.
The room, the students, the naked brown girl on the model's throne,
all swam before her eyes. She got to the door somehow, opened and shut
it, and found herself sitting on the top stair with closed eyelids and
heart beating heavily.
[Illustration: "Betty looked nervously around--the scene was
agitatingly unfamiliar"]
Some one held water to her lips. She was being fanned with a
handkerchief.
"I'm all right," she said.
"Yes, it's hotter than usual to-day," said the handkerchief-holder,
fanning vigorously.
"Why do they have it so hot?" asked poor Betty.
"Because of the model, of course. Poor thing! she hasn't got a nice
blue gown and a pinky-greeny pinafore to keep her warm. We have to try
to match the garden of Eden climate--when we're drawing from a girl
who's only allowed to use Eve's fashion plates."
Betty laughed and opened her eyes.
"How jolly of you to come out after me," she said.
"Oh, I was just the same at first. All right now? I ought to get back.
You just sit here till you feel fit again. So long!"
So Betty sat there on the bare wide brown stair, staring at the
window, till things had steadied themselves, and then she went back to
her work.
Her easel was there, and her half-rubbed out drawing--No, that was not
her drawing. It was a head, vaguely but very competently sketched, a
likeness--no, a caricature--of Betty herself.
She looked round--one quick but quite sufficient look. The girl next
her, and the one to that girl's right, were exchanging glances, and
the exchange ceased just too late. Betty saw.
From then till the rest Betty did not look at the model. She looked,
but furtively, at those two girls. When, at the rest-time, the model
stretched and yawned and got off her throne and into a striped
petticoat, most of the students took their "easy" on the stairs: among
these the two.
Betty, who never lacked courage, took charcoal in hand and advanced
quite boldly to the easel next to her own.
How she envied the quality of the drawing she saw there. But envy does
not teach mercy. The little sketch that Betty left on the corner of
the drawing was quite as faithful, and far more cruel, than the one on
her own paper. Then she went on to the next easel. The few students
who were chatting to the model looked curiously at her and giggled
among themselves.
Public-domain text, read in full here on John Shaqi.
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