Artists -- Fiction; British -- France -- Paris -- Fiction; Man-woman relationships -- Fiction; Young women -- Fiction
"I don't see what you want with models," said a very young and shy boy
student. "Couldn't you pose for each other, and--"
A murmur of dissent from the others drove him back into shy silence.
"No amateur models in this Academy," said Miss Voscoe. "Oh, we'll make
the time-honoured institutions sit up with the work we'll do. Let's
all pledge ourselves to send in to the Salon--or anyway to the
Indépendants! What we're suffering from in this quarter's
git-up-and-git. Why should we be contented to be nobody?"
"On the contrary," said Vernon, "Miss Voscoe is everybody--almost!"
"I'm the nobody who can't get a word in edgeways anyhow," she said.
"What I've been trying to say ever since I was born--pretty near--is
that what this class wants is a competent Professor, some bully
top-of-the-tree artist, to come and pull our work all to pieces and
wipe his boots on the bits. Mr. Vernon, don't you know any one who's
pining to give us free crits?"
"Temple is," said Vernon. "There's no mistaking that longing glance of
his."
"As a competent professor I make you my bow of gratitude," said
Temple, "but I should never have the courage to criticise the work of
nine fair ladies."
"You needn't criticise them all at once," said a large girl from
Minneapolis, "nor yet all in the gaudy eye of heaven. We'll screen off
a corner for our Professor--sort of confessional business. You sit
there and we'll go to you one by one with our sins in our hand."
"_That_ would scare him some I surmise," said Miss Voscoe.
"Not at all," said Temple, a little nettled, he hardly knew why.
"I didn't know you were so brave," said the Minneapolis girl.
"Perhaps he didn't want you to know," said Miss Voscoe; "perhaps
that's his life's dark secret."
"People often pretend to a courage that they haven't," said Vernon. "A
consistent pose of cowardice, that would be novel and--I see the idea
developing--more than useful."
"Is that _your_ pose?" asked Temple, still rather tartly, "because if
it is, I beg to offer you, in the name of these ladies, the chair of
Professor-behind-the-screen."
"I'm not afraid of the nine Muses," Vernon laughed back, "as long as
they are nine. It's the light that lies in woman's eyes that I've
always had such a nervous dread of."
"It does make you blink, bless it," said the Irish student, "but not
from nine pairs at once, as you say. It's the light from one pair that
turns your head."
"Mr. Vernon isn't weak in the head," said the shy boy suddenly.
"No," said Vernon, "it's the heart that's weak with me. I have to be
very careful of it."
"Well, but will you?" said a downright girl.
"Will I what? I'm sorry, but I've lost my cue, I think. Where were
we--at losing hearts, wasn't it?"
"No," said the downright girl, "I didn't mean that. I mean will you
come and criticise our drawings?"
"Fiddle," said Miss Voscoe luminously. "Mr. Vernon's too big for
that."
"Oh, well," said Vernon, "if you don't think I should be competent!"
Public-domain text, read in full here on John Shaqi.
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