The Indian Lily and Other StoriesSudermann, Hermann
General
The Indian Lily and Other Stories
Sudermann, Hermann
Short stories, German -- Translations into English; Sudermann, Hermann, 1857-1928 -- Translations into English
At first I hear nothing but a dull roaring. But that may proceed as
well from the subterranean waters that rush through the earth
somewhere in my neighbourhood. But no, the sound comes from above. And
from time to time I also hear a rattling and hissing as of dried peas
poured out over a sieve.
"Of course, it's wretched weather again," I say and rub my hands
comfortably, not, to be sure, without knocking my elbows against the
side of the coffin.
"They could have made this place a little roomier," I say to myself.
But when it occurs to me that, in my character of an honest corpse, I
have no business to move at all if I want to be a credit to my
new station.
But the spirit of contradiction in me at once rebels against this
imputation.
"There are no classes in the grave and no prejudices," I cry. "In the
grave we are all alike, high and low, poor and rich. The rags of the
beggar, my masters, have here just the same value as the purple cloak
that falls from the shoulders of a king. Here even the laurel loses
its significance as the crown of fame and is given to many a one."
I cease, for my fingers have discovered a riband that hangs from the
wreath. Upon it, I am justified in assuming, there is written some
flattering legend. The letters are just raised enough to be
indistinctly felt.
I am about to call for matches, but remember just in time that it is
forbidden to strike a light in the grave or rather, that it is
contrary to the very conception of the grave to be illuminated.
This thought annoys me and I continue: "The laurel is given here not
to the distinguished alone. I must correct that expression. Are not we
corpses distinguished _per se_ as compared to the miserable plebeian
living? Is not this noble rest in which we dwell an unmistakable sign
of true aristocracy? And the laurel that is given to the dead, that
laurel, my masters, fills me with as high a pride as would the diadem
of a king."
I ceased. For I could rightly expect enthusiastic applause at the
close of this effective passage. But as everything remained silent I
turned my thoughts once more upon myself, and considered, too, that my
finest speeches would find no public here.
"It is, besides, in utter contradiction to the conception of death to
deliver speeches," I said to myself, but at once I began another in
order to establish an opposition against myself.
"Conception? What is a conception? What do I care for conceptions
here? I am dead. I have earned the sacred right to disregard such
things. If those two-penny living creatures cannot imagine the grave
otherwise than dark or the dead otherwise than dumb--why, I surely
have no need to care for that."
Public-domain text, read in full here on John Shaqi.
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