The Indian Lily and Other StoriesSudermann, Hermann
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The Indian Lily and Other Stories
Sudermann, Hermann
Short stories, German -- Translations into English; Sudermann, Hermann, 1857-1928 -- Translations into English
With her slender fingers she grasps the blue, embroidered riband that
is attached to the neck of the harp. She grasps it with the gesture of
one who is about to pull a sleigh.
"Come," she cries again. I dare not understand her. Awkwardly I crouch
on the strings.
"I might break them," I venture.
"You little shaver," she laughs. "Do you know how light you are? And
now, hold fast!"
I have scarcely time to grasp the golden frame with both hands. I hear
a mighty rustling in front of me. The mighty wings unfold. My sleigh
floats and billows in the air. Forward and upward goes the
roaring flight.
Far, far beneath me lies the paternal hut. Scarcely does its light
penetrate to my height. Gusts of snow whirl about my forehead. Next
moment the light is wholly lost. Dawn breaks through the night. A warm
wind meets us and blows upon the strings so that they tremble gently
and lament like a sleeping child whose soul is troubled by a dream of
loneliness.
"Look down!" cried my faery, turning her laughing little head toward
me.
Bathed in the glow of spring I see an endless carpet of woods and
hills, fields and lakes spread out below me. The landscape gleams with
a greenish silveriness. My glance can scarcely endure the richness of
the miracle.
"But it has become spring," I say trembling.
"Would you like to go down?" she asks.
"Yes, yes."
At once we glide downward. "Guess what that is!" she says.
An old, half-ruined castle rears its granite walls before me.... A
thousand year old ivy wreathes about its gables.... Black and white
swallows dart about the roofs.... All about arises a thicket of
hawthorn in full bloom.... Wild roses emerge from the darkness,
innocently agleam like children's eyes. A sleepy tree bends its boughs
above them.
There is life at the edge of the ancient terrace where broad-leaved
clover grows in the broken urns. A girlish form, slender and lithe,
swinging a great, old-fashioned straw hat, having a shawl wound
crosswise over throat and waist, has stepped forth from the decaying
old gate. She carries a little white bundle under her arm, and looks
tentatively to the right and to the left as one who is about to go on
a journey.
"Look at her," says my friend.
The scales fall from my eyes.
"That is Lisbeth," I cried out in delight, "who is going to the
mayor's farm."
Scarcely have I mentioned that farm but a fragrance of roasting meat
rises up to me. Clouds of smoke roll toward me, dim flames quiver up
from it. There is a sound of roasting and frying and the seething fat
spurts high. No wonder; there's going to be a wedding. "Would you
like to see the executioner's sword?" my friend asks.
A mysterious shudder runs down my limbs.
"I'd like to well enough," I say fearfully.
A rustle, a soft metallic rattle--and we are in a small, bare
chamber.... Now it is night again and the moonlight dances on the
rough board walls.
"Look there," whispers my friend and points to a plump old chest.
Public-domain text, read in full here on John Shaqi.
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