This native skill combined with love of the work and perfect sincerity--the qualities which still make the Indian woman's blanket or basket or bowl or moccasins of the old type so highly prized--are among the precious things lost or sacrificed to the advance of an alien civilization. Cheap machine-made garments and utensils, without beauty or durability, have crowded out the old; and where the women still ply their ancient trade, they do it now for money, not for love, and in most cases use modern materials and patterns, even imported yarns and "Diamond dyes!" Genuine curios or antiques are already becoming very rare, except in museums, and sometimes command fabulous prices. As the older generation passes, there is danger of losing altogether the secret of Indian art and craftsmanship. MODERN INDIAN ART Struck by this danger, and realizing the innate charm of the work and its adaptability to modern demands, a few enthusiasts have made of late years an effort to preserve and extend it, both in order that a distinctive and vitally American art-form may not disappear, and as a means of self-support for Indian women. Depots or stores have been established at various points for the purpose of encouraging such manufactures and of finding a market for them, not so much from commercial as from artistic and philanthropic motives. The best known, perhaps, is the Mohonk Lodge, Colony, Oklahoma, founded under the auspices of the Mohonk Indian Conference, where all work is guaranteed of genuine Indian make, and, as far as possible, of native material and design. Such articles as bags, belts, and moccasins are, however, made in modern form so as to be appropriate for wear by the modern woman. Miss Josephine Foard assisted the women of the Laguna pueblo to glaze their wares, thereby rendering them more salable; and the Indian Industries League, with headquarters in Boston, works along similar lines. The Indian Bureau reports that over $600,000 worth of Navajo blankets were made during the last year, and that prizes will be awarded this fall for the best blankets made of native wool. At Pima $15,000 worth of baskets and $5,000 worth of pottery was made and sold, and a less amount was produced at several other agencies. Another modern development, significant of the growing appreciation of what is real and valuable in primitive culture, is the instruction of the younger generation in the Government schools in the traditional arts and crafts of their people. As schooling is compulsory between the ages of six and sixteen years, and from the more distant boarding-schools the pupils are not even allowed to go home for the summer vacation, most of them would otherwise grow up in ignorance of their natural heritage, in legend, music, and art forms as well as practical handicrafts. The greatest difficulty in the way is the finding of competent and sympathetic teachers.