The Indians of the Painted Desert Region: Hopis, Navahoes, Wallapais, HavasupaisJames, George Wharton
Religion
The Indians of the Painted Desert Region: Hopis, Navahoes, Wallapais, Havasupais
James, George Wharton
Indians of North America -- Southwest, New
A hundred yards or so below where the springs commence to flow Wallapai
Canyon enters from the left. It is similar in appearance to, though
narrower than, Havasu (Cataract) Canyon, the walls being of red
sandstone, the strata of which are as regular as if laid by masons. A
few hundred yards beyond the junction of the two canyons a remarkable
piece of Indian engineering is in evidence, showing how the Indians
ascend from a lower to an upper platform. There is a drop here in
the stratum of some twenty-five or thirty feet, and to overcome this
obstacle the Havasupais built a cage with logs which they filled with
stones, and then from this stretched rude logs up and across, to which
other logs were fastened, thus making a fairly substantial bridge from
the lower to the upper stratum over which their horses as well as
themselves could safely pass. The trail from this point ascends through
tortuous canyons a distance of seven miles to the territory occupied by
the Wallapais.
Just below the entrance to Wallapai Canyon a vast mass of talus has
fallen, and two hundred yards farther down, the Cataract Canyon trail
goes over a portion of this talus to avoid the creek, which has here
crossed from the other side of the canyon and has become a rapidly
flowing stream some two feet or more in depth. Attached to this talus
is a large mass of solid concrete made of pebbles, rocks, and sand that
have been washed down in the creek and made cohesive by the lime from
the water. Here the canyon narrows again and the stupendous walls seem
very near to the willow-fringed stream and the small fields. A few
hundred feet farther it opens out again, and as one rides on the trail
he gets exquisite views of the gray stone walls superposed on the red
sandstones to the northwest. These gray and creamy sandstones, with
their numerous and delicate tints and shades, afford most delightful
contrasts to the glaring and monotonous red of the walls beneath.
From this point we gain our first view of the so-called Havasupai
stone gods, named by them "Hue-gli-i-wa," the story of which is told
elsewhere.
These rocky pillars with their supporting walls seem as if they were
once a part of a great wall that entirely spanned the canyon, the
towers being sentinel outlooks to guard from attack both above and
below. The portion of the wall to the right, as one descends the
canyon, has been washed away, but the tower-crowned mass to the left
still preserves a broad sweep into the very heart of the canyon as if
it would bar all further progress. Following the sweep of this curve
and passing the wall immediately underneath the outermost of the two
towers, we view from the trail which ascends a mass of talus at this
point another widened-out part of the canyon, which seems entirely
covered with willows, here and there overshadowed by a few straggling
cottonwoods. This is where the ceremonial dances of the Havasupais
take place.
Public-domain text, read in full here on John Shaqi.
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