The Indians of the Painted Desert Region: Hopis, Navahoes, Wallapais, HavasupaisJames, George Wharton
Religion
The Indians of the Painted Desert Region: Hopis, Navahoes, Wallapais, Havasupais
James, George Wharton
Indians of North America -- Southwest, New
The two lines now for several minutes sing, rattle, sway their bodies
to and fro and back and forth in a most impressive and interesting
manner, until, at a given signal, the Snake priests break up their
line and divide into groups of three. The first group advances to
the kisi. The first man of the group kneels down and receives from
the warrior priest, who has entered the kisi, a writhing, wriggling,
and, perhaps, dangerous reptile. Without a moment's hesitation the
priest breathes upon it, puts it between his teeth, rises, and upon
his companion's placing one arm around his shoulders, the two begin to
amble and prance along, followed by the third member of their group,
around the prescribed circuit. With a peculiar swaying of body, a
rapid and jerky lifting high of one leg, then quickly dropping it
and raising the other, the "carrier" and his "hugger" proceed about
three-fourths of the circuit, when the carrier drops the snake from
his mouth, and passes on to take his place to again visit the kisi,
obtain another snake, and repeat the performance. But now comes in
the duty of the "gatherer," the third man of the group. As soon as
the snake falls to the ground, it naturally desires to escape. With a
pinch of sacred meal in his fingers and his snake whip in his hand, the
gatherer rapidly advances, scatters the meal over the snake, stoops,
and like a flash has him in his hands. Sometimes, however, a vicious
rattlesnake, resenting the rough treatment, coils ready to strike. Now
watch the dexterous handling by a Hopi of a venomous creature aroused
to anger. With a "dab" of meal, the snake whip is brought into play,
and the tickling feathers gently touch the angry reptile. As soon as he
feels them, he uncoils and seeks to escape. Now is the time! Quicker
than the eye can follow, the expert "gatherer" seizes the escaping
creature, and that excitement is ended, only to allow the visitor to
witness a similar scene going on elsewhere with other participants.
In the meantime all the snake carriers have received their snakes and
are perambulating around as did the first one, so that, until all
the snakes are brought into use, it is an endless chain, composed of
"carrier," snake, "hugger," and "gatherer." Now and again a snake
glides away toward the group of spectators, and there is a frantic dash
to get away. But the gatherers never fail to stop and capture their
particular reptile. As the dance continues, the gatherers have more
than their hands full, so, to ease themselves, they hand over their
excited and wriggling victims to the Antelope priests, who, during the
whole of this part of the ceremony, remain in line, solemnly chanting.
[Illustration: THE SNAKES IN THE KIVA AT MASHONGANAVI, AFTER THE
CEREMONY OF WASHING.]
Public-domain text, read in full here on John Shaqi.
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