The Industrial Arts in SpainRiaño, Juan F. (Juan Facundo)
History
The Industrial Arts in Spain
Riaño, Juan F. (Juan Facundo)
Decorative arts -- Spain -- History; Pottery -- Spain -- History
There is no difficulty in affirming that this form of earthenware was
made at Toledo, for Marineo Siculo, in his interesting volume treating
of "De las Cosas Memorables de España," Alcala, 1539, says, "much coarse
green and white pottery is made at Toledo."
[Illustration: BRIM OF WELL FROM TOLEDO. SOUTH KENSINGTON MUSEUM.]
The manufacture of tiles, as was the case with so many other industries
in Spain, was imported by the Arabs. In the Middle Ages it attained
great importance, and has never ceased in Spain up to the present day.
The earliest tiles (_azulejos_) made in Spain are composed of small
pieces let into the wall, forming geometrical patterns. The proceeding
is similar to that employed by the workers of Byzantine mosaic,--tile
decoration undoubtedly took the place of this mosaic work in Moorish
buildings. It is difficult to fix the precise period when they were
first made, but it must have been posterior to the 10th century, when
Moorish architecture underwent a radical change in its system of
decoration. The oldest tiles which exist in Spain are at the Palace of
the Alhambra, Granada. They belong to the 14th century. The great
variety of their design may be seen in Owen Jones' "Plans and elevations
of the Alhambra," London, fol. 1842, and the fine work published by the
Spanish government, "Monumentos Arquitectonicos." We can judge of the
style adopted by two interesting fragments, both of which came from the
Alhambra, No. 1104-'53, No. 324-'64, South Kensington Museum.
The earliest mention which I have found of this manufacture occurs in a
letter from Doña Juana de Mendoza, the wife of the Almirante de
Castilla, which is addressed to the lady abbess of the nunnery of Santo
Domingo at Toledo. She begs that a large number of "azulejos" of
different colours, black, white, yellow, and green should be sent to
her. She alludes, in the same letter, to painted tiles, and says she was
expecting a master potter from Seville to place these tiles in their
proper places. This shows us that it was only in the province of
Andalusia that the art was known of cutting these tiles into geometrical
sections and mosaic patterns. This letter is not dated, but it is bound
up with other documents of 1422, and evidence exists to prove that both
the Almirante and his wife were dead in 1431. The locality for which the
tiles were required was probably Palencia; the convent of Santa Clara
was built by them at that time, and they both were buried there. It was
extremely difficult to cut and join together these tiles; the workmen
who did so had to pass through a regular examination in compliance with
the municipal ordinances drawn up in the 15th century; without this
requisite they were not allowed to exercise their trade.
Public-domain text, read in full here on John Shaqi.
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