The Industrial Arts in SpainRiaño, Juan F. (Juan Facundo)
History
The Industrial Arts in Spain
Riaño, Juan F. (Juan Facundo)
Decorative arts -- Spain -- History; Pottery -- Spain -- History
In 1800, the Duke of Hijar, who succeeded the Count of Aranda in the
management of the manufactory, writes to D^{n} Josef Ferrer, saying:
"As I do not know the authors of the pipe-clay porcelain or that of
other kinds which is sent here, I beg you to order the master workmen of
porcelain and common pottery to engrave, in making it, the initials of
their names, as it will enable me to distinguish the good from the bad."
Twelve porcelain baths with the arms of Spain in blue were made at
Alcora for Queen Maria Louisa in 1800.
The Duke of Hijar ordered in 1800 that a dinner-service should be made
there for his use. He sent instructions that it should be of the same
kind as a tea-service previously sent to his son the Duke of Aliaga. The
painter chosen to decorate it was Mariano Alvaro, and the designs
selected by Ferrer were taken from the Loggie of Raphael.
In the same year some cases of pottery were sent to the Duke; in one of
them was a fine soup tureen modelled by Josef Ferrer, Cloostermans' son,
Pierre, writes at this time, asking to be appointed to the post left
vacant by his father's death; his petition however was not granted.
We have already seen that pottery and porcelain continued to be
manufactured in the present century at Alcora in the same manner as in
the 18th century, but owing to the French invasion of 1808 this industry
suffered the consequences of war, and the work done there greatly
diminished in excellence and quantity. Even before this the Director,
D^{n} José Delgado complains in several documents of the bad state of
the manufactory, the Directors who replaced him, D^{n} Juan Bautista
Cabot and D^{n} Pedro Bezarco, write continually repeating the same
thing. After the French were turned out of Spain, the industry was
revived and strengthened by fresh artists from the porcelain manufactory
of Madrid. D^{n} Luis Poggetti was appointed drawing master there in 1815,
and D^{n} Domingo Palmera master of ornamental art, both these artists
had worked at Buen Retiro, Poggetti as Director of pietre dure, and
Palmera as second-class sculptor. After this time the manufactory of
pottery at Alcora ceased to produce artistic works, and limited itself
to send out common wares for domestic purposes; this system continued
until 1858, when the Duke of Hijar sold the manufactory to D^{n} Ramon
Girona, who brought over English workmen from Staffordshire in order to
improve the wares. Many imitations of the older styles have also been
made at Alcora of late years.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account