The Industrial Arts in SpainRiaño, Juan F. (Juan Facundo)
History
The Industrial Arts in Spain
Riaño, Juan F. (Juan Facundo)
Decorative arts -- Spain -- History; Pottery -- Spain -- History
We do not know the precise date when porcelain began to be manufactured
at the Retiro. Clarke, writing in 1761, says the works had begun, and in
1764 pupils attended the classes at the Academy of S^{n} Fernando.
Larruga, in his "Memorias," says that as soon as the building was
finished, china was made under the superintendence of Don Cayetano
Schepers; the works, during his superintendence, proved very
unsatisfactory, to his great astonishment, as the same process and
workmen were employed as at Naples. Schepers attributes it to squabbles
between the Spanish and Italian workmen. Sebastian Schepers, from 1783,
a son of Cayetano's, tried various experiments with different clays of
the country.
The porcelain made at Buen Retiro was kept for the first thirty years
for the exclusive use of the royal family, or to be sent as presents to
foreign courts. Nothing was offered for sale until January, 1789, after
Charles III.'s death, 1788, when Charles IV. determined that the china
manufactured at Buen Retiro might be sold. Even in Spain the specimens
of this china are very scarce; it is only at the palaces of Madrid,
Aranjuez, the Escorial and La Granja that an idea can be formed of the
perfection of this manufacture.
The director at that time was Don Domingo Bonicelli, a son of Don Juan
Bonicelli. Don Domingo chose a room within the Retiro, which was
arranged at a cost of £350, in which to exhibit the objects for sale.
Another room was taken in the Calle del Turco, which is mentioned in
"Noticias varias y curiosas de Madrid," Valero Chicarro, 1762-1793,
which we find was closed in 1800, as the "objects manufactured at the
Retiro were simply for ornament, and could only be bought by very rich
persons." Southey in his "Letters from Spain," London, 1797, p. 118,
says, "The old palace of Buen Retiro is converted into a royal porcelain
manufactory; the prices are extravagantly high, but they have arrived at
great excellence in the manufacture. The false taste of the people is
displayed in all the vases I saw there, which though made from Roman
models, are all terminated by porcelain flowers."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account