The Industrial Arts in SpainRiaño, Juan F. (Juan Facundo)
History
The Industrial Arts in Spain
Riaño, Juan F. (Juan Facundo)
Decorative arts -- Spain -- History; Pottery -- Spain -- History
[Illustration: Arabic]
"Health, permanent glory, and lasting happiness [belong to God"].
On the opposite side:
[Illustration: Arabic]
"It was made by Reduan."
The scabbard of this dagger is most beautiful, its chapes are made of
silver enamelled in green, and the remainder is of crimson velvet
embroidered in gold, from which hangs a fine tassel of silk and gold
thread. A small eating knife is fitted into this same scabbard, which
possesses no artistic interest.
The woodcut on the next page will give a good idea of the blade of a
Moorish dagger of the 15th century.
A sword of a similar kind to the one already described may be seen at
Granada at the _Administrador's_ of the Generalife. It belongs to the
marquis of Campotejar, a descendant of Sidi Jahia, a Moorish prince who
was converted to Christianity. The marquis of Vega de Armijo has an
interesting sword of the same kind, and two others exist at the Museo de
Artilleria, Madrid, which belonged to Aliatar; Boabdil's sword is at the
Royal Armoury. The Hispano Arab sword, which for centuries had been in a
saint's hand at the church of San Marcelo, Leon, is now at the Museo
Arqueologico, Madrid.
The Spanish Moors used helmets similar in form to those of the
Christians, though their manner of decoration was different; after the
importations made by the Crusaders, the similarity must every day have
been greater. The _almofar_, which appears by its name to have been
originally oriental, and which is constantly named in Spanish documents
from the poem of the Cid, was a protection for the head, of a similar
form to those used in France and other countries, consisting of a hood
made of chain armour, covering the head and leaving the face free; upon
it was placed the hood or helmet. Some helmets exist at the Royal
Armoury of Madrid of Spanish Moorish origin; among them are two very
remarkable ones, which have been attributed to Boabdil, the last king of
Granada. (Nos. 2345, 2356, of the Catalogue.) They are decorated with
gold filigree, niellos, and geometrical ornamentation in the best
oriental style, most admirably worked, and different in this respect to
the helmets used in this time. Another interesting helmet, which
belonged to this ill-fated monarch, exists in the province of Almeria.
[Illustration: MOORISH DAGGER, 15TH CENTURY.]
Public-domain text, read in full here on John Shaqi.
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