The industrial republic: a study of the America of ten years henceSinclair, Upton
History
The industrial republic: a study of the America of ten years hence
Sinclair, Upton
Socialism -- United States; United States -- Economic conditions -- 1865-1918; United States -- Social conditions -- 1865-1918
It signifies, in a sentence, that type of civilisation, of law and
convention, which was made necessary by the economic struggle, and which
is now maintained by the economic victors for their own comfort and the
perpetuation of their power. The _bourgeoisie_, or middle class, is that
class which, all over the world, takes the sceptre of power as it falls
from the hands of the political aristocracy; which has the skill and
cunning to survive in the free-for-all combat which follows upon the
political revolution. Its dominion is based upon wealth; and hence the
determining characteristic of the bourgeois society is its regard for
wealth. To it, wealth is power, it is the end and goal of things. The
aristocrat knew nothing of the possibility of revolution, and so he was
bold and gay. The bourgeois _does_ know about the possibility of
revolution, and so it is that Mrs. Atherton finds that our literature is
“timid.” She finds it “anæmic,” simply because the bourgeois ideal knows
nothing of the spirit, and tolerates intellectual activity only for the
ends of commerce and material welfare. She finds also that it “bows
before the fetich of the body,” and she is much perplexed by the
discovery. She does not seem to understand that the bourgeois represents
an achievement of the body, and that all that he knows in the world is
body. He is well fed himself, his wife is stout, and his children are
fine and vigorous. He lives in a big house, and wears the latest thing
in clothes; his civilisation furnishes these to every one—at least to
every one who amounts to anything; and beyond that he understands
nothing—save only the desire to be entertained. It is for entertainment
that he buys books, and as entertainment that he regards them; and hence
another characteristic of the bourgeois literature is its lack of
seriousness. The bourgeois writer has a certain kind of seriousness, of
course—the seriousness of a hungry man seeking his dinner; but the
seriousness of the artist he does not know. He will roar you as gently
as any sucking dove, he will also wring tears from your eyes or thrill
you with terror, according as the fashion of the hour suggests; but he
knows exactly why he does these things, and he can do them between chats
at his club. If you expected him to act like his heroes, he would think
that you were mad.
Public-domain text, read in full here on John Shaqi.
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