He was mistaken in saying so. He carried all the truth with him. Yet
we, /we/ saw him die. He was dead for us, but not for himself. I feel
there is a fearfully difficult truth here which we must get, a
formidable contradiction. But I hold on to the two ends of it, groping
to find out what formless language will translate it. Something like
this: "Every human being is the whole truth." I return to what I
heard. We do not die since we are alone. It is the others who die.
And this sentence, which comes to my lips tremulously, at once baleful
and beaming with light, announces that death is a false god.
But what of the others? Granted that I have the great wisdom to rid
myself of the haunting dread of my own death, there remains the death
of others and the death of so many feelings and so much sweetness. It
is not the conception of truth that will change sorrow. Sorrow, like
joy, is absolute.
And yet! The infinite grandeur of our misery becomes confused with
glory and almost with happiness, with cold haughty happiness. Was it
out of pride or joy that I began to smile when the first white streaks
of dawn turned my lamp pale and I saw I was alone in the universe?
CHAPTER XV
It was the first time I had seen her in mourning, and that evening her
youth shone more resplendent than ever.
Her departure was close at hand. She looked about to see if she had
left anything behind in the room, which had been made ready for other
people, the room which was already formless, already abandoned.
The door opened. The young woman turned her head. A man appeared in
the sunny doorway.
"Michel, Michel, Michel!" she cried.
She stretched out her arms, hesitated, and for a few seconds remained
motionless as light, with her full gaze upon him.
Then, in spite of where she was and the purity of her heart and the
chastity of her whole life, her legs shook and she was on the verge of
falling over.
He threw his hat on the bed with a sweeping romantic gesture. He
filled the room with his presence, with his weight. His footsteps made
the floor creak. He kept her from falling. Tall as she was, he was a
whole head taller. His marked features were hard and remarkably fine.
His face under a heavy head of black hair was bright and clean, as
though new. He had a drooping moustache and full red lips.
He put his hands on the young woman's shoulders, and looked at her, in
readiness for his eager embrace.
Public-domain text, read in full here on John Shaqi.
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