The Infidel; or, the Fall of Mexico. Vol. I.Bird, Robert Montgomery
History
The Infidel; or, the Fall of Mexico. Vol. I.
Bird, Robert Montgomery
Mexico -- History -- Conquest, 1519-1540 -- Fiction
As he sat brooding in this apparently calm, yet deeply suffering
lethargy, there glided into the apartment, from one of the curtained
doors on the right hand, a figure, which, seen for the first time and in
the dusky twilight already darkening around, might, to superstitious
eyes, have seemed an apparition,--it was so strange, so fair, so
majestic, and so mournful. It presented a stature taller than belongs to
the beauty of woman, yet not inconsistent with the conception of a
divinity; and to this a singular dignity was given by flowing and
voluminous robes of a grayish texture, which, both in hue and fashion,
bore an air of monastic simplicity, without precisely resembling those
of any one order. A sort of hood, or veil, drawn a little aside and
resting upon the brow, gave to view a female countenance of wonderful
loveliness, and not without a share of that commanding dignity, which
distinguished her figure. Her hair, shorn, or perhaps bound behind by a
fillet, and thus almost altogether concealed by the hood, gave yet to
the gaze two long locks, broad and black, which, falling over either
cheek, were lost among the folds of the veil which her right hand held
upon her bosom. A complexion dark, yet not tawny,--a chin and nostrils
carved like the most exquisite statuary,--lips of dusky crimson,--a brow
of marble, and an eye of midnight, made up a countenance both beautiful
and characteristic, yet contradictory in the expression of its several
parts, and sometimes even in the expression of the same features. Thus,
the first impression made upon a spectator by the whole visage, was such
as could only be effected by extreme gentleness of disposition; while
the second, he scarce knew why, spoke of energy and decision, none the
less striking for being concealed under a mask so captivating. Thus,
also, the eyes, very large and set widely apart, conveyed, on ordinary
occasions, the idea of a spirit passive, melancholy, and inanimate;
though the slightest depression of the brow, the smallest motion of the
lid, transformed them at once into the brightest torches of passion. If
one could conceive the spirit of a Philomela--a compound of sweet
tenderness and still sweeter melancholy--dashed with the fire of a
Penthesilea, he might conjure up to his mind's eye a correct
representation of the mysterious being, (alluded to by Villafana, under
the name of La Monjonaza, or the Nun, the word being a sort of cant
augmentative of _Monja_, a nun,) whom an extraordinary destiny had
thrown among the warlike invaders of Mexico.
As she passed from the thick curtain and advanced towards the platform,
on which sat the moody general, her visage presented none of its
ordinary mildness; on the contrary, her brows were knit together, her
lip retracted, and the look with which she regarded him whom all others
were learning to fear, was bold, stern, and even fiercely hostile.
Public-domain text, read in full here on John Shaqi.
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