The influence and development of English gilds : $b as illustrated by the history of the craft gilds of ShrewsburyHibbert, Francis Aidan
History
The influence and development of English gilds : $b as illustrated by the history of the craft gilds of Shrewsbury
Hibbert, Francis Aidan
Guilds -- England -- History; Guilds -- England -- Shrewsbury (England) -- History
Farquahar in his sprightly comedy _The Recruiting Officer_ describes the
lively doings of the same "people of quality," and also of the more
stolid burghers. "I have drawn," he says, "the Justice and the Clown in
their _Puris Naturalibus_; the one an apprehensive, sturdy, brave
blockhead; and the other a worthy, honest, generous gentleman, hearty in
his country's cause and of as good an understanding as I could give him,
which I must confess is far short of his own." Farquahar seems to have
obtained a particularly good impression of the worthy Salopians. He
dedicates his comedy to "All Friends round the Wrekin." "I was stranger to
everything in Salop but its Character of Loyalty, the Number of its
Inhabitants, the Alacrity of the Gentry in Recruiting the Army, with their
generous and hospitable Reception of Strangers. This Character I found so
amply verify'd in every Particular that you made Recruiting, which is the
greatest Fatigue upon Earth to other, to be the greatest Pleasure in the
World to me[201]." Shrewsbury was one of the gayest of those many
provincial capitals "out of which the great wen of London has sucked all
the life[202]."
[Sidenote: _Shrewsbury Show in 17th century._]
Farquhar may have seen the old Show, which the Restoration had naturally
brought back, wend its noisy way to Kingsland. The procession itself was
easily rehabilitated, but the arbours on Kingsland, where the day was
spent in merrymaking, called for much attention. Great activity was
evinced in their repair, for they had fallen into sad decay during the
hard rule of the Puritans. Some of the companies adorned their arbours
with gateways, arms and mottoes, "dyalls," and the like. Most of the
gateways were of wood, but in 1679 the Shoemakers company erected a
handsome stone portal, which a few years subsequently they adorned with
figures of their patron saints, Crispin and Crispianus. As though the
events of a century previous were still fresh in men's minds, the legend
was painted underneath,
"We are but images of stonne
Do us no harme--we can do nonne."
Public-domain text, read in full here on John Shaqi.
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