It was a disappointment if he was not interrupted by applause. “A sophist is put out in an extempore speech,” says Philostratus,[170] “by a serious-looking audience and tardy praise and no clapping.” “They are all agape,” says Dio Chrysostom,[171] “for the murmur of the crowd ... like men walking in the dark, they move always in the direction of the clapping and the shouting.” “I want your praise,” said one of them to Epictetus.[172] “What do you mean by my praise?” asked the philosopher. “Oh, I want you to say Bravo! and Wonderful!” replied the sophist. These were the common cries; others were not infrequent—“Divine!” “Inspired!” “Unapproachable!”[173] They were accompanied by clapping of the hands and stamping of the feet and waving of the arms. “If your friends see you breaking down,” says Lucian in his satirical advice to a rhetorician,[174] “let them pay the price of the suppers you give them by stretching out their arms and giving you a chance of thinking of something to say in the interval between the rounds of applause.” Sometimes, of course, there were signs of disapproval. “It is the mark of a good hearer,” says Plutarch,[175] “that he does not howl out like a dog at everything of which he disapproves, but at any rate waits until the end of the discourse.” After the discourse, the professor would go round: “‘What did you think of me to-day?’” says one in Epictetus.[176] “‘Upon my life, sir, I thought you were admirable.’ ‘What did you think of my best passage?’ ‘Which was that?’ ‘Where I described Pan and the Nymphs.’ ‘Oh, it was excessively well done.’” Again, to quote another anecdote from Epictetus:[177] “‘A much larger audience to-day, I think,’ says the professor. ‘Yes: much larger.’ ‘Five hundred, I should guess.’ ‘Oh, nonsense; it could not have been less than a thousand.’ ‘Why that is more than Dio ever had: I wonder why it was: they appreciated what I said, too.’ ‘Beauty, sir, can move even a stone.’” They made both money and reputation. The more eminent of them were among the most distinguished men of the time. They were the pets of society, and sometimes its masters.[178] They were employed on affairs of state at home and on embassies abroad.[179] They were sometimes placed on the free list of their city, and lived at the public expense. They were sometimes made senators—raised, as we might say, to the House of Lords—and sometimes governors of provinces.[180] When they died, and sometimes before their death, public statues were erected in their honour.[181] The inscriptions of some of them are recorded by historians, and some remain: “The Queen of Cities to the King of Eloquence,” was inscribed on the statue of Prohæresius at Rome.[182] “One of the Seven Wise Men, though he had not fulfilled twenty-five years,” is inscribed on an existing base of a statue at Attaleia;[183] and, beneath a representation of crowning, the words, “He subjects all things to eloquence,” are found on a similar base at Parion.[184]