The influence of the stars : $b a book of old world loreBaughan, Rosa
Religion
The influence of the stars : $b a book of old world lore
Baughan, Rosa
Astrology; Palmistry; Physiognomy
A mouth to be beautiful should be in harmony as regards proportion with
the rest of the features of the face; that is, it should be neither
remarkably large nor remarkably small. Neither the upper nor the lower
lip should project beyond the other when the mouth is closed. The lips
should shut easily over the teeth, and in doing so should fall into a
flowing line of curves without compression. The more the lips are
endowed with motion and the more richly they are coloured, the finer
and more delicate are the human passions they indicate.
An excess of even good form is bad; thus if the full rich lines of a
generous mouth are exaggerated, we have the indication of sensuality,
whilst the finer susceptibilities shown by delicately moulded lips may,
by a little excess towards thinness, give fastidiousness and even
avarice.
The middle-sized mouth, which combines strength with warmth of feeling,
whilst it steers clear of coarseness, is what gives the best
indications. Such a mouth shows courage, generosity, and affection.
A mild, somewhat overhanging upper lip generally signifies goodness, or
rather kindliness of disposition; but if very much overhung it shows
weakness of purpose and an irresolute, vacillating character and, where
the under lip is small as well as retreating and the chin also small,
it is an indication of imbecility.
A mouth in which the lower lip projects shows prudence amounting to
distrust and melancholy. We often see this form of mouth with the
down-drooping nose; both are indications of the dominating influence of
Saturn at the birth of the person possessing such a combination of
features. If the under lip should be very full as well as projecting
and droops in a flaccid manner without closing over the teeth when the
lips are in repose, it is a sign of a sensual nature. Of course an
intellectual brow and a firm and energetic form of nose would lessen
the evil of such an indication, but there is always a tendency towards
the grosser pleasures of the senses in a person with such a form of
lips.
A mouth with lips habitually apart denotes eloquence, if the rest of
the face gives intellectual indications; but if none of the signs of
mental power are there, it would only signify a chattering person
wanting in decision and promptness of action.
A firmly closed mouth shows courage, fortitude and determination; even
an habitually open mouth will be seen to close with a sort of forced
compression when endurance is necessary. Everyone closes the mouth
after saying, "I am resolved."
A somewhat long mouth, with an upward curve at the corners and with
thin and very flexible lips, indicates wit. Voltaire had this sort of
mouth.
Full, flexible lips, with a hollow in the centre of the lower lip, and
with the corners turning upwards, show a joyous, hospitable and rather
materialistic temperament, with good spirits and sense of humour.
Public-domain text, read in full here on John Shaqi.
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