Connemara Maggie was standing by the fire drying Gypo’s shirt, his
jacket and his socks. The big boots were resting on a fender before
the fire, steaming. She took no notice of Mulholland’s entrance. With
her golden hair hanging in disorder over her face, with her blouse
undone, with her strong, heavy-boned face covered with perspiration,
with her great, soft eyes swollen and gentle like the eyes of a
heifer, she busied herself tending her man, just as if she had never
left the purity of her Connemara hills and she were tending her
peasant spouse after a hard day’s work in the fields; instead of
tending a casual lover in the sordid environment of a brothel. There
was no hint of vice or of libidinous pleasure in her face or in her
movements. She seemed to be, like Gypo himself, a child of the earth,
unconscious of the artificial sins that are the handiwork of the city.
In her two brawny arms she held the steaming shirt to the blaze. She
stood silent and immovable.
There was little else in the small, whitewashed, low-ceilinged room. A
bed with the clothes tousled on it, a quilt that lay on the floor by
the bed, a chair on three legs and a weatherbeaten washstand,
containing a basin and a broken jug, comprised the furniture.
Mulholland looked around at all this before he spoke. It was as well
to get the correct details in case identification were necessary. Gypo
might deny it. Then he spoke. He had recovered his nerve.
“No,” he said. “I don’t want a drink. It’s time for ye to be comin’.”
“Be off with ye, ye little divil,” yelled Gypo, suddenly jumping to
his feet, with a great scraping and slapping noise. “Who are ye givin’
orders to?”
He took a pace forward and reached out his right hand, but Mulholland
had drawn his revolver and taken a pace to his rear. At the same time
he called out in a hissing whisper:
“It’s not me orders. It’s the Commandant’s orders, an’ ye better be
careful about disobeyin’ them.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account