The Ingoldsby Country: Literary Landmarks of the "Ingoldsby Legends"Harper, Charles G. (Charles George)
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The Ingoldsby Country: Literary Landmarks of the "Ingoldsby Legends"
Harper, Charles G. (Charles George)
Ingoldsby, Thomas, 1788-1845. Ingoldsby legends; Kent (England) -- Description and travel
The effigy of the knight bespeaks a man rather tall and thin, than
thick-set and of a dwarfish stature. The local tradition upon which
Barham founded the legend of "Grey Dolphin" is that the Lord of
Shurland, happening to pass by the churchyard of Minster, found a fat
friar in the act of refusing, unless he were paid for his services,
to say the last rites of the Church over the body of a drowned sailor
brought to this spot for burial. No one felt inclined to pay for the
unfortunate mariner's passport to Heaven, and the friar was obdurate,
refusing to accede to even the Baron's request. The Baron promptly
slew the friar, and kicked his body into the open grave, to bear
the sailor company on his journey to Hades. Mother Church was not
particularly fond of the greasy friars who at that time infested
the country, but she could not brook so flagrant an insult; and
accordingly, made matters extremely unpleasant for the Baron, who,
learning that the King lay aboard ship two miles off the coast of
Sheppey, swam there and back on his horse, Grey Dolphin, and obtained
a pardon. But, on returning to the shore, an old woman prophesied that
the horse which had now saved his life should some day cause his death.
To render this, as he thought, impossible, the Baron killed his horse
on the spot, and went off rejoicing. The next year, however, chancing
to ride over the sands again, his horse stumbled over the skull of Grey
Dolphin and threw the Baron fatally.
[Illustration: TOMB OF SIR ROBERT DE SHURLAND.]
His tomb, rubbed down in a cleanly and housewifely manner quite
destructive of any appearance of antiquity, is in the south aisle of
Minster Abbey church--the effigy of a "recumbent warrior clad in the
chain-mail of the thirteenth century. His hands are clasped in prayer;
his legs, crossed in that position so prized by Templars in ancient
and tailors in modern days, bespeak him a Soldier of the Faith in
Palestine. Close behind his dexter calf lies sculptured in bold relief
a horse's head." This is represented in the midst of some curious
carving, perhaps intended for waves. At the feet of the mutilated
effigy crouches a battered little figure of a page, misericorde in
hand; while "Tickletoby," the Baron's sword, is represented in stone
carving by his side, with a spear the length of his tomb. It was, as
Tom Ingoldsby explains, "the fashion in feudal times to give names
to swords: King Arthur's was christened Excalibur; the Baron called
his Tickletoby, and whenever he took it in hand it was no joke." The
legend of "Grey Dolphin" has been explained away by antiquaries, who
say that the horse's head means only that Sir Robert de Shurland had
obtained a grant of the "Wreck of the Sea" where his manors extended
towards the shore, and was entitled to all wreckage, waifs and strays,
flotsam and jetsam, which he could reach with the point of his lance
when riding at ebb tide as far into the sea as possible.
Public-domain text, read in full here on John Shaqi.
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