The Ingoldsby Country: Literary Landmarks of the "Ingoldsby Legends"Harper, Charles G. (Charles George)
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The Ingoldsby Country: Literary Landmarks of the "Ingoldsby Legends"
Harper, Charles G. (Charles George)
Ingoldsby, Thomas, 1788-1845. Ingoldsby legends; Kent (England) -- Description and travel
The dust of countless generations lies mingled here, in this swelling
God's Acre, raised so high above the road. Abbesses and nuns and the
good folks of Minster for many hundreds of years have all found rest
at last, and most of their names are forgotten, save by the casual
antiquary who turns over the yellow pages of the parish registers.
Most of the gravestones date from periods ranging from a hundred to
sixty years ago, and their inscriptions tell eloquently of a seafaring
population near at hand--at Sheerness, of course; for the ship's
carpenters, rope-makers, boatswains, master-mariners, and the many
others of the seafaring profession generally have their occupation
duly set forth on their memorials. The rope-maker's is embellished
with ropes, curiously carved and fashioned, representing knots whose
name sailormen alone may know. Others bear terrific attempts at
picturing the Judgment Day, intended to make the casual sinner quail.
Unfortunately, the puffy, overfed angels blowing the Last Trump on
trumpets many sizes too large for them make the sinful smile, and they
go away quite undisturbed in their old iniquitous ways.
So greatly has the soil of the churchyard been raised by the countless
years of interments, that the church itself lies, as it were, in a
little hollow, and the entrances to it by the south door, and from the
western portal in the tower, are flanked by walls of grassy earth,
the whole immediately overlooking and abutting upon the houses of the
homely village.
[Illustration: THE ESTUARY OF THE MEDWAY, FROM THE ROAD NEAR
MINSTER-IN-SHEPPEY.]
There are exquisitely beautiful glimpses on the road from Minster to
Warden, beginning immediately on leaving the place. To the left, a
lovely valley that in Devonshire would be called a "coombe," and in
the Isle of Wight a "chine," shelves down to the sea at the farm of
Scrapsgate. There from the road you see the valley, notched out like
a V, with myriads of wild-flowers, and in the distance on the right
hand the farm-buildings, nestling among orchards and a dense clump
of trees, and in that wedge of the V the sparkling waters of a sea
that is always alive and companionable with the great steamers coming
in or out of the mouth of the Thames, with the brick-lighters and
sailing-barges creeping round the island, or with the swallow-like
flight of the graceful yachts of the Royal Thames Yacht Squadron.
Turning in the other direction, the mazy creeks and many islands and
saltings of the Medway are stretched out, silver-grey and opalescent,
over beyond the shoulder of the hill--mystic, wonderful, sanctified by
distance to the likeness of a Promised Land.
Public-domain text, read in full here on John Shaqi.
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